http://idealogyjournal.com/ojs/index.php/idealogy/issue/feedIdealogy Journal2023-11-20T08:24:28+00:00Muhamad Abdul Aziz Ab Ganiidealogyjournal@gmail.comOpen Journal SystemsGoogle Scholarhttp://idealogyjournal.com/ojs/index.php/idealogy/article/view/435The Integration of contemporary art and ethnic culture: Taking the creation of ethnic fiber art as an example2023-11-20T05:30:33+00:00Liang Xian2021703329@student.uitm.edu.myMohd Jamil Haji Mat Isajmi@uitm.edu.my<p>The purpose of this research is to analyze the development trend of ethnic culture from the perspective of contemporary art, focusing on the art form of the expression of contemporary ethnic fiber art on ethnic culture. Through the research methods of questionnaire survey and case analysis of works, it is found that ethnic culture can show its artistic charm through diversified fiber art forms. Contemporary ethnic fiber art will be the innovative carrier of the integration of contemporary art and ethnic culture. In the case analysis of works, it is found that contemporary art and ethnic culture can be integrated into contemporary art creation through traditional handicraft innovation, pattern recombination and deconstruction, color reference, national spirit and other aspects. Therefore, this research proves that the integration of ethnic culture and fiber art is full of contemporary artistic interest, which not only enhances the social influence of ethnic culture, but also helps to enrich the form and content of contemporary fiber art, which is of great significance to promote the development of traditional ethnic craft.</p> <p><strong><span class="TextRun SCXW94256369 BCX0" lang="EN-GB" xml:lang="EN-GB" data-contrast="auto"><span class="NormalTextRun SCXW94256369 BCX0">Keywords:</span></span></strong><span class="TextRun SCXW94256369 BCX0" lang="EN-GB" xml:lang="EN-GB" data-contrast="auto"> <span class="NormalTextRun BookmarkStart SCXW94256369 BCX0">contemporary art, ethnic culture, integration, ethnic </span><span class="NormalTextRun SCXW94256369 BCX0">fiber</span><span class="NormalTextRun SCXW94256369 BCX0"> art</span></span></p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/445 Study And Appreciation Of Claude Monet’s Artistic Creation And Life Experience2023-10-17T04:05:01+00:00Ge Yaodove19990315@gmail.comZainuddin Abindinhazirzainuddin@fskik.upsi.edu.my<p>Claude Monet an outstanding Impressionist painter in the 19th century, is one of the founders of Impressionist painting, known as the "father of Impressionism". His representative works include Impression of Sunrise, Cathedral of Rouen, Haystack, and Water Lily. Many artists and scholars in the study of Monet's works, summed up the artist Monet can be famous for the reason: thanks to his unique insight and innovation in painting creation. Every seemingly insignificant change over time will eventually add up and change things qualitatively. This paper makes a correlation analysis between Monet's painting style and his life experience to explore the influence of the painter's life experience on the painting methods adopted at that time, to study and appreciate his representative works which have achieved periodic success. When people not only stop to appreciate the color surface of the work, but also understand the story behind the creation of art, this will more vividly and truly restore the character image of a writer, and further explore the connotation, historical status, and influence on the development history of painting. At the same time, it is beneficial to broaden the richness of the history of art painting and is also of great benefit to the field of art education and academic research.</p> <p><strong><span class="TextRun SCXW192733604 BCX0" lang="EN-GB" xml:lang="EN-GB" data-contrast="auto"><span class="NormalTextRun SCXW192733604 BCX0">Keywords:</span></span></strong> <span class="TextRun SCXW192733604 BCX0" lang="EN-GB" xml:lang="EN-GB" data-contrast="auto"><span class="NormalTextRun SCXW192733604 BCX0">Claude Monet; Impressionism; Art history; Appreciation of painting</span></span><span class="EOP SCXW192733604 BCX0" data-ccp-props="{"335559738":240,"335559739":240}"> </span></p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/450 More Thank Child's Play: Tackling Speech Anxiety Among Malaysian ESL Learners Through Gamification2023-11-01T08:20:59+00:00Mia Emily Abdul Rahimmiaemily@uitm.edu.myEmma Marini Abdul Rahimemmamarini@uitm.edu.myNurul Amilin Razawinurulamilin@uitm.edu.myNuruladilah Mohamednuruladilah@uitm.edu.my<p>When second language learners have language anxiety especially when they are using the speaking skills, they are more likely to experience anxiety, self-doubt, frustration, and fear that will affect their ability to learn the languages. However, based on previous research, it is shown that learners' anxiety over public speaking significantly decreased when gamification was included in the classroom. Therefore, in this study, the main objective was to explore the students’ perception towards the gamification setting in reducing speech anxiety among UiTM students. The study employs a quantitative study with 221 participants consisting of undergraduates from various faculties in UiTM. A descriptive analysis was used to analyze the data. From the results, it is found that most of the students experienced a level of anxiety in the beginning despite using the virtual gamification setting. However, they believe that the virtual speech application helped them in getting an improved positive experience when delivering a speech, particularly in easing their anxiousness upon speaking in front of an audience.</p> <p><strong><span class="TextRun SCXW133692086 BCX0" lang="EN-MY" xml:lang="EN-MY" data-contrast="auto"><span class="NormalTextRun SCXW133692086 BCX0">Keywords:</span></span></strong><span class="TextRun SCXW133692086 BCX0" lang="EN-MY" xml:lang="EN-MY" data-contrast="auto"> <span class="NormalTextRun SCXW133692086 BCX0">speech anxiety, English as a Second Language (ESL), gamification, virtual reality</span></span></p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/454 Bangau Perahu: Identiti Malaysia Dalam Rekabentuk Barang Kemas2023-10-24T02:42:01+00:00Nur Syafinaz Mohd Anuarsyafinaz342@uitm.edu.myMohd Zamani Daudzamani266@uitm.edu.myMuhammad Faiz Iskandahfaiz148@uitm.edu.myHamdan Liashamdan867@uitm.edu.myNik Nur Hafizah Ma Hassanthebenchstudio@gmail.com<p>Kajian ini dijalankan untuk mengenalpasti potensi dan kepentingan identiti Malaysia dalam idea generasi dari perspektif baharu bagi reka bentuk barang kemas kontemporari. Matlamat utama adalah untuk membantu penyelidik mengenal dan menghargai identiti kebangsaan (Bangau Perahu) agar dapat diterjemahkan ke dalam rekaan barang kemas dengan lebih kreatif dan inovatif khususnya kontemporari keronsang. Kaedah yang digunakan adalah Double Diamond dari British Design Council bermula tahun 2005. Model ini dilihat amat bersesuaian untuk diaplikasikan dalam kajian ini. Proses ini mempunyai empat fasa utama iaitu: 1) Mencari 2) Menentukan, 3) Membangunkan dan 4) Menyampaikan. Maklum balas diperolehi melalui soalan kaji selidik yang terbahagi kepada 2 bahagian utama: Bahagian A: Tahap kriteria penilaian terhadap rekabentuk dan Bahagian B: Tahap kriteria penilaian terhadap produk. Hasil kajian berkaitan rekaan mendapati 4 indikator dipilih sebagai sangat setuju manakala kriteria terhadap produk, didapati purata memilih 3 indikator sebagai sangat penting. Walaubagaimanapun semua berpendapat telesis wujud dengan jelas dalam rekaan ini. Produk ini sesuai untuk dikomersialkan, namun perlu beberapa penambahbaikan.</p> <p><strong><span data-contrast="none">Kata Kunci Keywords:</span></strong><span data-contrast="none"> Bangau Perahu, Identiti Malaysia, Idea Generasi, Barang Kemas </span><span data-ccp-props="{"201341983":0,"335551550":6,"335551620":6,"335559731":0,"335559740":240}"> </span></p> <p><span data-ccp-props="{"134245418":true,"134245529":true,"201341983":0,"335551550":6,"335551620":6,"335559731":0,"335559740":240}"> </span></p> <p><em><strong><span data-contrast="none"><span data-ccp-parastyle="heading 1">Abstract</span><span data-ccp-parastyle="heading 1"> </span></span></strong><span data-ccp-props="{"134245418":true,"134245529":true,"201341983":0,"335551550":6,"335551620":6,"335559731":0,"335559740":240}"> </span></em></p> <p><em><span data-contrast="none">This research was conducted to identify the potential and importance of Malaysian identity in generational ideas from a new perspective for contemporary jewelery design. The main goal is to help researchers recognize and appreciate the national identity (Bangau Perahu) so that it can be translated into more creative and innovative jewellery designs, especially contemporary brooch. The method used is the Double Diamond from the British Design Council starting in 2005. This model is seen as very appropriate to be applied in this study. This process has four main phases which are: 1) Search 2) Define, 3) Develop and 4) Deliver. Feedback is obtained through survey questions that are divided into 2 main parts: Part A: The level of evaluation criteria for design and Part B: The level of evaluation criteria for the product. The results of the design-related study found that 4 indicators were chosen as very agreeable while the criteria for the product, it was found that the average chose 3 indicators as very important. However, everyone thinks telesis is clearly present in this design. This product is suitable for commercialization but needs some improvements. </span><span data-ccp-props="{"201341983":0,"335551550":6,"335551620":6,"335559731":0,"335559740":259}"> </span></em></p> <p><em><strong><span data-contrast="none">Keywords:</span></strong><span data-contrast="none"> Bangau Perahu, Malaysian Identity, Generational Ideas, Jewellery</span><span data-ccp-props="{"201341983":0,"335551550":6,"335551620":6,"335559731":0,"335559740":240}"> </span></em></p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/456 Students’ Perception on the Use of ChatGPT as a Language Learning Tool2023-10-24T02:43:41+00:00Mia Emily Abd Rahimmiaemily@uitm.edu.myEmma Marini Abd Rahimemmamarini@uitm.edu.myNurul Amilin Razawinurulamilin@uitm.edu.myNuruladilah Mohamednuruladilah@uitm.edu.my<p>Through the advancement of technology, specifically on Artificial Intelligence (AI), ChatGPT has emerged as one of the most significant tools of the 21st century in many areas, especially the education sector in many nations. The main objective of this study was to examine the perception of the students towards the usage of ChatGPT as a language learning tool. This study employs a quantitative study as its research design, involving 181 students from various faculties and campuses in Universiti Teknologi MARA (UiTM) across several states in Malaysia that were selected as respondents to collect the data. A descriptive analysis was implemented to analyze the data obtained. Based on the result, the finding shows that most of the students think that the use of ChatGPT helps to improve their ability specifically in writing and the students also think that the use of ChatGPT makes English Language learning more enjoyable and engaging.</p> <p><strong><span class="TextRun SCXW221461784 BCX0" lang="EN-MY" xml:lang="EN-MY" data-contrast="auto"><span class="NormalTextRun SCXW221461784 BCX0">Keywords:</span></span></strong> <span class="TextRun SCXW221461784 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="auto"><span class="NormalTextRun SCXW221461784 BCX0">Technology, Education, ChatGPT, Artificial Intelligence, Language Learning.</span></span><span class="EOP SCXW221461784 BCX0" data-ccp-props="{"201341983":0,"335551550":6,"335551620":6,"335559731":0,"335559740":240}"> </span></p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/463 Evolution of Decorative Elegance: Rediscovering the Honeysuckle Pattern in the Caisson Ceilings of the Mogao Grottoes during the Middle Sui Dynasty2023-10-17T03:58:51+00:00Sujuan Kang2021209042@isiswa.uitm.edu.myNur Hisham Ibrahimnurhi540@uitm.edu.myMuhamad Abdul Aziz Ab. Ganiaziz354@uitm.edu.my<p>The Mogao Grottoes, situated in Dunhuang City, Gansu Province, holds significant cultural value as an iconic site of Chinese heritage. Among the intricate patterns adorning the caisson ceilings within these grottoes, the honeysuckle pattern stands out as one of the most popular designs. This paper propose an innovative redesign method the honeysuckle pattern specifically for the caisson in the Mogao Grottoes during the middle Sui Dynasty in order to better inherit the art of Dunhuang and meet contemporary aesthetic requirements. A literature review and case study were used to summarize Lotus pattern types and characteristics. It begins by providing an overview of the original honeysuckle pattern found in the caisson ceilings of the grottoes, followed by an analysis of the different decorative patterns on the borders of caisson ceilings in the early and middle Sui dynasties. Then, The paper proposes a novel design model for the honeysuckle pattern, drawing inspiration from historical designs and employing a combination of traditional and modern technology. Through this methodology, the paper concludes that the innovative honeysuckle pattern design for the caisson in the Mogao Grottoes successfully integrates traditional design elements with contemporary design methods. This design method not only reflects the historical context of the Middle Sui Dynasty but also exemplifies the potential of method in contemporary design practice.</p> <p><strong>Keywords:</strong> Honeysuckle pattern; Caisson ceilings; Mogao Grottoes; Middle Sui Dynasty</p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/465 The Influence of Cultural Congress on the Preferences of the Permanent Collection of the National Art Gallery of Malaysia2023-10-24T02:45:38+00:00Wenyan Geng2021667748@student.uitm.edu.myWan Samiati Andriana Wan Mohamad Daudsamiati@uitm.edu.myAzian Tahirazian572@uitm.edu.my<p>Since Malaysia's independence, the government convened the National Cultural Congress in 1971, which discussed building national identity in Malaysia through the culture of various races. The National Art Gallery, as an official institution with policy overtones, maintains a permanent collection of artworks for the nation, showcases the work of local and international artists, and encourages the development of art in the community. Therefore, this study uses a quantitative approach to secondary research, using the Cultural Congress as a dividing line, and to statistically classify works from each of the five years before and after by comparing changes in the nationality of the artists, the medium of the works, and the subject matter of the works to verify whether the emergence of the Cultural Congress had a significant impact on the National Art Gallery's collecting preferences. The results of this study show that the National Art Gallery's collection of works by national artists has also been on the rise since 1971, particularly in terms of the number of works by Malay artists and indigenous subjects. This research helps to examine the influence of the Cultural Congress from different perspectives and to understand the role of social factors on the views and approaches of artists. In addition, the collection of the art gallery will be collated and summarised to understand the preferences of the collection in each period and thus provide insight into the prevailing genres and approaches to art.</p> <p><strong>Keywords:</strong> National Art Gallery, Cultural Congress, quantitative research, collections, cultural capital.</p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/467 Examining R.O. Winstedt's Perspective On The Impact Of Islam And Hinduism On Malay Culture: A Critical Analysis2023-10-24T02:46:35+00:00Mohd Farhan Abd Rahmanfarhan84@uitm.edu.myMuhd Imran Abd Razakimranrazak@uitm.edu.myMd Azzaat Ahsanie Lokmanmdazzaat@uitm.edu.myMohd Zaid Mustafarzaidmustafar@uitm.edu.myAmir Mohd Nasonamir@ipsah.edu.my<p>R.O. Winstedt, a British administrator who served in Malaya, was an orientalist whose thinking was influenced by logical empirical positivism. This philosophy emphasized the use of intellect as the primary approach to acquiring facts through systematic and thorough research methods. Winstedt's perspective rejected the use of revelation or religious proofs as evidence in historical studies, considering them irrelevant. This article examines Winstedt's viewpoint on the impact of Islam and Hinduism on the lives of Malays, focusing on four selected writings and academic perspectives toward his ideas. The authors employed historiography, comparisons, and content analysis to analyze these views. The study revealed that Winstedt's approach to assessing the influence of Hinduism on Malay community life, particularly in areas such as culture, law, and mythology, was questionable and biased. He believed that the community's development and civilization were shaped by Hindu culture, disregarding the contributions of Islam. This understanding stemmed from Eurocentric thinking, which placed Europe at the center and portrayed it as a superior and civilized nation compared to others. This Eurocentrism led to a lack of understanding regarding the essence of Islam. It propagated the idea that European nations were the "ambassadors of civilization" and the saviors of less civilized peoples.</p> <p><strong>Keywords:</strong> Winstedt, Hinduism, Islam, Malaya, the Malays</p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/482 Analysing The Effectiveness Of Digital Illustration in Motion Graphics For Malaysian Sparkling Drink Products2023-11-20T05:51:34+00:00Nur Khadijah Zaifa2021834536@student.uitm.edu.mySharkawi Che Dinsharkawi237@uitm.edu.myNur Aniza Mohd Lazimaniza32@uitm.edu.myNabila Aimi Mohamed Ghazalinabilaaimi@uitm.edu.my<div data-canvas-width="26.12576722434993">The integration of graphics and illustration art into the commercial design process has emerged as a significant factor influencing the level of commercial design. Digital illustration has proven a practical strategic tool in marketing and advertising, particularly in the sparkling drink industry. The method used in this research is a qualitative method in which content analysis was utilised to analyse the digital illustration styles in motion graphics for Malaysia's sparkling drinks. According to the research, applying various illustration styles in the Malaysian sparkling drink industry effectively conveys brand messages. The result reveals that companies in the industry may employ several illustration styles to communicate their brand's unique identity and values effectively. Additionally, the study pointed out the beneficial effects of incorporating digital illustrations in motion graphics, including more brand identification, improved customer engagement and enhanced advertising effectiveness.</div> <p><br><strong>Keywords:</strong> Digital Illustration, Motion Graphics, Sparkling Drink, Commercial.</p>2023-09-28T11:28:27+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/486 The Content Analysis of Motion Graphic Elements in Malaysian Music Videos2023-10-26T02:26:54+00:00Muhammad Shamie Khairulah2021820626@student.uitm.edu.mySharkawi Che Dinsharkawi237@uitm.edu.myNur Aniza Mohd Lazimaniza32@uitm.edu.myNabila Aimi Mohamed Ghazalinabilaaimi@uitm.edu.my<p>This research method examines how Malaysian music videos employ motion graphic components. The <br>study's goal is to investigate the types and frequency of motion graphic elements utilized in Malaysian <br>music videos, as well as how these elements relate to the video's visual appeal. The visual content of a <br>total of 10 music videos by well-known Malaysian artists was examined by looking at the motion <br>graphic elements which are elements of design, style, or types and principles of motion. The study's <br>findings demonstrated that Malaysian music videos frequently incorporate motion graphic elements, <br>with typography, animation, and visual effects being the most common forms. Additionally, the study <br>discovered a substantial link between the employment of motion graphics and the videos' aesthetic <br>design, indicating that motion graphics are a crucial component of visual storytelling in Malaysian <br>music videos.</p> <p><br><strong>Keywords:</strong> Motion graphic, Music video, Element, Malaysia.</p>2023-09-28T11:36:53+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/508 Bujang Valley Tourism Co-Creation In Place Branding: The Role Of Local Community2023-10-24T02:54:25+00:00Neesa Ameera Mohamed Salimneesa@uitm.edu.myAbdullah Kula Ismailabdul694@uitm.edu.mySyafiq Abdul Samatsyafiqsamat@uitm.edu.myNizar Nazrinnizarnazrin@uitm.edu.my<p>Despite its well-known reputation for its unique archaeological artefacts’ findings and its historical sites, Bujang Valley or locally known as Lembah Bujang situated in Kedah Malaysia is unable to attract tourists in large numbers, specifically during post Covid-19 pandemic. This study aims to fill the gap by defining the role of local communities in branding Bujang Valley since local community engagement is imperative since they fulfil multiple functions in place branding. 20 locals were approached through convenience sampling for a semi-structured interview in defining their roles and views on the distinctiveness of place identity, culture, economy and hopes as well as their major involvement in the co-creation of the place branding. This exploratory study reveals that the local community are positive and share collective values towards uplifting the brand image specifically in respect to tourism factors, yet the authenticity and the core value should be sustained. The insights gathered provides a novel conceptualization in reproposing a new brand for Bujang Valley. In the future, Bujang Valley should continue to leverage its unique and well-received characteristics, highly considering the direct and indirect roles of the local community towards the process of place branding.</p> <p><strong><span class="TextRun Highlight SCXW154535201 BCX0" lang="EN-MY" xml:lang="EN-MY" data-contrast="none"><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW154535201 BCX0" data-ccp-parastyle="Normal (Web)">Keywords:</span></span></strong> <span class="TextRun SCXW154535201 BCX0" lang="EN-MY" xml:lang="EN-MY" data-contrast="none"><span class="NormalTextRun SCXW154535201 BCX0" data-ccp-parastyle="Normal (Web)">Place </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW154535201 BCX0" data-ccp-parastyle="Normal (Web)">branding, Place</span> <span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW154535201 BCX0" data-ccp-parastyle="Normal (Web)">identity, Malaysian</span><span class="NormalTextRun SCXW154535201 BCX0" data-ccp-parastyle="Normal (Web)"> Community, Place </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW154535201 BCX0" data-ccp-parastyle="Normal (Web)">transformation, Bujang</span><span class="NormalTextRun SCXW154535201 BCX0" data-ccp-parastyle="Normal (Web)"> Valley </span></span><span class="EOP SCXW154535201 BCX0" data-ccp-props="{"134233117":true,"134233118":true,"201341983":0,"335551550":1,"335551620":1,"335559731":0,"335559737":95,"335559740":240}"> </span></p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/511 Review of Malaysian Social Media Influencers Credibility2023-10-24T02:55:21+00:00Nur Anis Atira Norazmananischim97@gmail.comAnwar Fikri Abdullahanwar575@uitm.edu.myAhmad Sofiyuddin Mohd Shuibahmad396@uitm.edu.myNur Faizah Mohd Pahmefaizahmp@uitm.edu.myMohamad Zaidi Sulaimanzaidi211@uitm.edu.my<p>This review study delves into the self-promotion strategies of social media platforms, particularly focusing on the realm of influencer’s criteria that are credible for the Malaysia market. The primary objective of this research is to enlighten marketers about existing Influencer’s Criteria guidelines with insights into effectively identifying credible influencers for promoting their brands. Employing qualitative methodologies, the research employs techniques such as content analysis, case studies, and observation of promotional video content. The investigation centres around five Instagram influencers from Malaysia, examining their advertising approaches, alignment with specific niches, and the categories of content they share. The findings underscore the paramount importance of various factors in influencer selection, including relevance, authenticity, engagement, reach, content quality, brand alignment, and a proven track record. Furthermore, the research delves into the array of video content that influencers employed. Armed with an understanding of how influencers present themselves and the characteristics that define influential individuals, marketers are equipped to mitigate the risks associated with influencer marketing fraud and establish fruitful collaborations that resonate with their brands.</p> <p><strong><span class="TextRun SCXW112095374 BCX0" lang="EN-MY" xml:lang="EN-MY" data-contrast="auto"><span class="NormalTextRun SCXW112095374 BCX0">Keywords:</span></span></strong> <span class="TextRun SCXW112095374 BCX0" lang="EN-MY" xml:lang="EN-MY" data-contrast="auto"><span class="NormalTextRun SCXW112095374 BCX0">Influencer Marketing, Social Media Influencers, Influencers Criteria, Content Analysis, Influencer Style </span><span class="NormalTextRun SCXW112095374 BCX0">of</span><span class="NormalTextRun SCXW112095374 BCX0"> Content</span></span><span class="EOP SCXW112095374 BCX0" data-ccp-props="{"201341983":0,"335551550":6,"335551620":6,"335559731":0,"335559740":240}"> </span></p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/425 Systematic Review on The Integration of Universal Design in Architectural Outdoor Environments of Higher Educational Institutions2023-10-16T02:23:09+00:00Mohamad Redhuan Ramligs62524@student.upm.edu.myNoranita Mansornorannorman@gmail.com.myMohamad Fakri Zaky Ja'afarzakyjaafar@upm.edu.myMohammad Mujaheed Hassanmujaheed@upm.edu.myIshak Ramliishak991@uitm.edu.my<p>Universities are a critical place for preparing humans for their future endeavours because they provide the necessary knowledge and skills for personal and professional growth. However, inadequate accessibility for students with disabilities (SWDs) has hindered them from fully participating in any university programmes that cause of lack connectivity in High Educational Institution (HEI) campuses area. With the growing numbers of SWDs, HEI should be freely access without any discrimination regarding to the physical environment. Therefore, this article will review the current literature on integration of Universal Design (UD) in HEI for the past 15 years. It is thought that the information and knowledge presented in this review can aid higher education institutions in creating a more inclusive environment to support students with disabilities (SWDs) during their campus life. A list of keywords (UD theory and principles, Students with Disabilities, Accessibility in HEI, and Outdoor environments) related to the scope of this research was identified. In the second step, the keyword for studies on Scopus and WoS were searched, and total of 20 papers were reviewed. A themed review was carried out, where 33 sub-themes were identified based on the keywords. The result suggests a new accessibility model for the integration of UD in architectural environments. This study will benefit future researchers that focus on outdoor environment with the integration of UD theory.<br><br><strong>Keywords: </strong>Universal Design (UD), Student with Disabilities (SWDs), High Educational Institution (HEI), Outdoor Environment</p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/510 Rethinking Recycling: Understanding Audience Perception for Designing Effective Campaigns2023-11-01T04:55:09+00:00Nurul Nadiah Jamaludinnurul455@uitm.edu.myMohd Khairulnizam Ramlienizamramlie@uitm.edu.myHaslinda Md Nazrihasli550@uitm.edu.my<p>Recycling campaigns uses various methods and platforms such as social media, advertising, mobile applications, and digital games aim to raise awareness and educate public on the importance of recycling through visual information. After almost three decades of recycling campaigns carried out by responsible party to ensure that 40 percent of waste can be reused by 2025, the community's response to the initiative is still low. Although different methods and platforms are used in recycling it still does not deliver profound impact to the public. Therefore, this study will specifically explore the audience's perception of recycling campaign which is influenced by several factors such as design elements, the uses of colour and visuals, information arrangement, as well as emotional involvement. This study is important to identify the factors that influence the audience's perception and involvement in the campaign. Through the literature review method, this study describes the elements of recycling campaign design that act as independent variables, and the audience's perception as the dependent variable. A conceptual framework is built as initiative to clearly explain the study on the factors that influence the audience's perception as reference to create an effective recycling campaign. It provides valuable guidance to campaign organizers, policy makers, and environmental advocates to plan and implement effective recycling campaign strategies for focused target group and foster positive environmental change.</p> <p><strong>Keywords:</strong> recycling campaign; audience perception; influence; attitudes; effectiveness</p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/432 The Application of Intelligent Piano Teaching in College Education2023-11-01T08:01:13+00:00Chang Liu2021380077@student.uitm.edu.myMd Jais Ismailmdjais@uitm.edu.myHai Ying Wang2021380077@isiswa.uitm.edu.my<p>With the advent of the age of artificial intelligence, intelligent music education is also developing rapidly. The intelligent piano is an intelligent product that combines conventional piano technology with the latest computer network technology, which indicates that piano learning technology has entered the age of intelligence. The purpose of this study is to explore the advantages of intelligent pianos, verify the effectiveness of intelligent pianos for piano skill improvement, and to investigate how to use intelligent pianos in combination with the intelligent features they offer for piano teaching to college students. Using a quasi-experimental research design, this paper provides a quantitative analysis by comparing the learning of two groups of students in different teaching, and pointed out the difference in performance between the two groups of students. The strengths and significance of intelligent piano teaching are further discussed with some recommendations for future studies.</p> <p><strong>Keywords:</strong> Intelligent piano, Intelligent function, College education, Quasi-experiment</p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/441 Chempaka: A Flora Motif as Design Identity in Batik Chempaka, PPDK Merbok2023-11-01T08:02:03+00:00Juaini Jamaludinjuaini@uitm.edu.myZaidi Yusoffzaidi8881@uitm.edu.myFadila Mohd Yusoffadila675@uitm.edu.myIzza Syahida Abdul Karimizzasyahida@uitm.edu.mySharina Sa’adsharina854@uitm.edu.my<p>Batik Malaysia refers to the traditional Malaysian art of batik-making which includes the application <br>of wax and dyes to cloth to produce elaborate patterns and design. Batik has a long history in Malaysia <br>and is a key part of the country’s cultural legacy, representing its identity and customs. This paper <br>discusses the floral motif as design identity and production of the Chempaka flower motif. It explores <br>the history and cultural significance of the Chempaka flower motif in batik making and how it has been <br>adapted to create modern design. Overall, the paper concludes with the importance of the Cempaka <br>flower motif as a design identity and the need to preserve its cultural significance in the batik industry.</p> <p><strong>Keywords:</strong> Batik design, Batik industry, Batik motif, Batik identity.</p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/444 Silent Folks: A Modern Lore Preserving The Indigenous Folktales, Myths And Legends In The Digital Era2023-11-01T08:02:54+00:00Sharina Sa’adsharina@uitm.edu.myRafidah Amatrafidah408@uitm.edu.myShafilla Subrishafilla@uitm.edu.my<p>Innovations in second language teaching are desirable because such practices will help to maintain students’ <br>interest and motivation in the classroom. Various research has reported the significance of incorporating <br>stimulating reading texts in ESL classrooms. This paper aims to report how innovative ideas on using <br>reading texts which are based on the tales of indigenous people in Malaysia can leave significant impact in <br>an ESL classroom. This innovation project was in the form of a project work given to a group of 30 diploma <br>students undergoing a proficiency class. Reading is one of the main components in the syllabus. One of the <br>sub-components in reading for this subject is to read, understand, and provide personal responses to short <br>stories. The students were asked to read a few ghost stories based on the lives of Semai people from a book <br>entitled The Myths of Semai prior to their folktales project. The project required the students to retell the <br>story in the form of animated videos. They made story boards to help dramatize the tales and then used <br>video editing apps to compile the story boards into videos of the chosen folktales. They played the videos <br>in class and uploaded them to YouTube for other ESL learners. At the end of the project, students were <br>asked to write a reflective journal about their learning experiences with Semai folktales. The responses <br>were analysed based on the emerging themes which occur in the students’ reflections. The findings on this <br>innovative project should contribute to deeper understanding on how animating the folktales can impact <br>ESL students’ learning and how using the stories from indigenous people can enhance cross-cultural <br>awareness and acceptance of different traditions.</p> <p><br><strong>KEYWORDS:</strong> Innovation in ESL, Semai folktales, Indigenous people, Reading in ESL</p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/446 Design-Based Approach For Developing A Teaching Aid For Dyslexic Children2023-11-01T08:03:32+00:00Norarifah Binti Alinorarifah@uitm.edu.myAzhari Bin Md Hashimazhari033@uitm.edu.myMohamad Hariri Bin Abdullahmhariri2003@yahoo.co.ukRoslinda Binti Aliaslinda512@uitm.edu.myMuhammad Nidzam Bin Yaakobdr_nidzam@ipgkda.edu.my<p>This article presents a design-based approach for developing a specialized teaching aid for dyslexic children, with a focus on enhancing their reading skills and engagement. Dyslexia, a common learning disorder that affects reading abilities, requires tailored interventions to effectively support dyslexic learners. By integrating design thinking principles and the Orton-Gillingham approach, this study outlines a comprehensive design process for creating an innovative teaching aid. The approach emphasizes user-centeredness, iterative prototyping, and multisensory experiences as key elements to address the diverse learning needs of dyslexic children. The study employed a qualitative research method, conducting interviews with dyslexia teachers and observing dyslexic children in a classroom setting to gather data. Thematic analysis was used to analyze the interview data. The development of this teaching aid holds promise for improving reading proficiency and fostering greater engagement in learning among dyslexic children. The findings of this study contribute to the field of education by offering insights into the design and development of effective teaching aids for dyslexic children.</p> <p><strong>Keywords:</strong> Dyslexic Children, Teaching Aid, Design-based approach, Design thinking, User-centeredness</p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/448 Kelangsungan Galeri Seni Komersil di Malaysia: 1960-19902023-11-20T08:24:28+00:00Mohd Jamil Mat Isajmi@uitm.edu.my<p><strong><span data-contrast="auto"><span data-ccp-parastyle="heading 1">ABSTR</span><span data-ccp-parastyle="heading 1">AK</span><span data-ccp-parastyle="heading 1"> </span></span></strong><span data-ccp-props="{"134245418":true,"134245529":true,"201341983":0,"335551550":6,"335551620":6,"335559685":306,"335559731":306,"335559740":240,"335559991":306}"> </span></p> <p><span data-contrast="auto">Galeri seni komersil berperanan penting dalam proses perkembangan seni lukis negara melalui pelbagai aktiviti yang dianjurkan. Informasi dan data berkaitan dengan galeri seni komersil amatlah terhad terutamanya dalam bentuk penulisan ilmiah. Objektif kajian ini adalah untuk mengesan dan dokumentasikan secara kronologi penubuhan galeri seni komersil dan kegiatan yang telah dianjurkan dari era 1960an dan 1990an. Ianya merupakan faktor penyumbang kepada proses perkembangan seni lukis tempatan. Kaedah pengumpulan maklumat melalui pelbagai bahan penerbitan seperti keratan akhbar, buku, majalah dan katalog telah dijalankan. </span><span data-contrast="none">Bermula dengan empat buah galeri diera 1960an, ianya semakin berkembang. Terdapat beberapa galeri yang diusahakan oleh pelukis sendiri dan individu yang melihat industri ini berpotensi untuk maju. Usia perniagaan turut memperngaruhi landskap seni lukis tempatan. Terdapat beberapa galeri komersil yang kurang dari lima tahun pengoperasiannya. Kuala Lumpur masih menjadi lokasi pilihan pengusaha dan terdapat beberapa galeri komersil beroperasi di sekitar Lembah Kelang, Melaka dan Pulau Pinang. Sepanjang empat dekat terdapat 38 galeri seni komersil dikesan beroperasi dalam negara. </span><span data-ccp-props="{"201341983":0,"335551550":6,"335551620":6,"335559731":0,"335559740":240}"> </span></p> <p><span data-ccp-props="{"201341983":0,"335551550":1,"335551620":1,"335559731":0,"335559740":240}"> </span><strong><span data-contrast="auto">Kata kunci:</span></strong><span data-contrast="auto"> Galeri Seni, Komersil, Pameran</span><span data-ccp-props="{"201341983":0,"335551550":6,"335551620":6,"335559731":0,"335559740":240}"> </span></p> <p><span data-ccp-props="{"201341983":0,"335551550":6,"335551620":6,"335559731":0,"335559740":240}"> </span></p> <p><em><strong><span data-contrast="auto">ABSTRACT</span></strong><span data-ccp-props="{"201341983":0,"335551550":6,"335551620":6,"335559731":0,"335559740":240}"> </span></em></p> <p><em><span data-contrast="auto">Commercial art galleries are essential in developing national art through various organized activities. Information and data related to commercial art galleries could be more extensive, especially in the form of scientific writing. The objective of this study is to trace and document chronologically the establishment of commercial art galleries and the activities organized from the 1960s and 1990s. It is a contributing factor to the development process of local art. Information was collected through various publications such as newspaper clippings, books, magazines and catalogues. Starting with four galleries in the 1960s, it is growing. Several galleries are run by artists and individuals who see this industry as having the potential to progress. The age of business also influenced the local painting landscape. Some commercial galleries have less than five years of operation. Kuala Lumpur is still the location of choice for entrepreneurs, and several commercial galleries are operating around the Kelang Valley, Malacca and Penang. Over the past four years, 38 commercial art galleries have been working in the country.</span><span data-ccp-props="{"201341983":0,"335551550":6,"335551620":6,"335559731":0,"335559740":240}"> </span></em></p> <p><em><strong><span data-contrast="auto">Keywords: </span></strong><span data-contrast="auto">Art gallery, Commercial, Exhibition</span><span data-ccp-props="{"201341983":0,"335551550":6,"335551620":6,"335559731":0,"335559740":240}"> </span></em></p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/447 Theoritical Implementation As Folklore Digital Reconstruction In Malay Literature Education2023-11-01T08:15:01+00:00Mohd Effizan Wahideffizan@student.usm.myRosnidar Ainrosnidar_ain@usm.my<p>Folklore encompasses a variety of aspects, whether narratives or in other formats, and it needs to be moulded into a more creative and innovative form in line with the revolution of this century. Folklore which conveys messages underlying the expression of feelings of society can be categorised into two forms, i.e. narratives and non-narratives or the ones that are told in prose and poetry. The intrinsic values and lessons in the storytelling of folk tales are sub-primary elements in folk literature that can create deep learning in learners. For literary works to have a significant impact on literary education, they must take into account the evolving interests and demands of today's learners. In addition to emphasising the value of folklore teachings offered to secondary students, folklore education should be prioritised in the adult education curriculum. Folklore research has been done from a variety of angles, primarily qualitative ones in the language and semantic domains. Despite this, several literature reviews noted that some folklore studies using other methodologies are still insufficient. Therefore, this concept paper outlines theoretical adaptation, which can be implemented in folklore studies particularly to develop a new module. The aspects of the discussions are based on theoretical andragogy literature reviews by Knowles (1996), and Vygotsky Social Constructivism (1978), which can be applied in folklore learning. As a suggestion, this theoretical discussion will serve as the foundation for literary studies in transition to digital reconstruction using Richey and Klien's (2007) Development and Design Research (DDR) to design and build a new innovative module, a model, guideline, a framework or even an instrument, particularly as an added value in teaching and facilitation in the field of the Malay literature education.</p> <p><strong><span class="TextRun SCXW21691159 BCX0" lang="EN-MY" xml:lang="EN-MY" data-contrast="auto"><span class="NormalTextRun SCXW21691159 BCX0">KEYWORDS: </span></span></strong><span class="TextRun SCXW21691159 BCX0" lang="EN-MY" xml:lang="EN-MY" data-contrast="auto"><span class="NormalTextRun SpellingErrorV2Themed SCXW21691159 BCX0">Adragogy</span><span class="NormalTextRun SCXW21691159 BCX0"> Theory, Social Constructivism Theory, Design & </span><span class="NormalTextRun SpellingErrorV2Themed SCXW21691159 BCX0">Develop</span><span class="NormalTextRun SpellingErrorV2Themed SCXW21691159 BCX0">t</span><span class="NormalTextRun SpellingErrorV2Themed SCXW21691159 BCX0">men</span><span class="NormalTextRun SCXW21691159 BCX0"> Research (DDR), Folklore, Malay Literature Education.</span></span><span class="EOP SCXW21691159 BCX0" data-ccp-props="{}"> </span></p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/471 The Impact Of Misinformation In Social Media That Caused Panic Behavior On Covid-19 Pandemic Among University Students In Ipoh, Perak2023-11-01T08:21:27+00:00Kevin Wang Zi Xukevinzixu97@gmail.comNur Faizah Mohd Pahmefaizahmp@uitm.edu.myAhmad Sofiyuddin Mohd Shuibahmad396@uitm.edu.myAnwar Fikri Abdullahanwar575@uitm.edu.mySri Soedewisrisoedewi@telkomuniversity.ac.id<p><span data-contrast="auto">Social networking has become a regular part of everyone's life. Nowadays, practically everyone uses social media and messaging platforms for communication, especially university students who frequently use smartphones and other devices for social interaction and communication. Due to this, university students began to believe the information shared on social media without verifying its accuracy. The veracity of the information shared on social media is unconfirmed for a number of reasons. Some of the false information spread has led to students at the university behaving panicked. As a result, the focus of this study will be on the effect of misleading news on Covid-19 among Malaysian university students. This will help to ensure that the study's goals, which include determining how social media misinformation influences university students' behaviour and fostering the spread of fear about COVID-19 in Malaysia, are successfully attained. In due to that the study uses quantitative methodology as its main research approach. Information was gathered by the researcher from university students using online surveys. The findings of this study indicated that disinformation disseminated via social media platforms, particularly the amplifying of dread that resulted in increased worry and anxiety, was likely to have an impact on university students in Ipoh, Perak. In order to discover the trends that may spread to other new consumers, particularly with the increased adoption of mobile connectivity, this study should be continued by focusing on the behavioural patterns and attitudes of this news consumption segment. </span><span data-ccp-props="{"201341983":0,"335551550":6,"335551620":6,"335559731":0,"335559740":240}"> </span></p> <p><strong><span data-contrast="auto">Keywords:</span></strong> <em><span data-contrast="auto">Misinformation, social media, panic behaviour, Covid-19, university students</span></em><span data-ccp-props="{"201341983":0,"335551550":6,"335551620":6,"335559731":0,"335559740":240}"> </span></p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/472 The Study On The Best Smartphones Applications For Comic Reading And Publishing During A Pandemic2023-11-01T08:26:22+00:00Muhammad Zamer Zulkiflizamerzulkifli99@gmail.comAhmad Sofiyuddin Mohd Shuibahmad396@uitm.edu.myNur Faizah Mohd Pahmefaizahmp@uitm.edu.myAnwar Fikri Abdullahanwar575@uitm.edu.myDarfi Rizkavirwandarfi@umn.ac.id<p>The adoption and continuous advancement of technology has permeated society, changing the way people interact with technology itself and with the help of technology. Nowadays there are many modern devices are being invented to help with our daily life, including Smartphones, which are widely used around the world. In early 2020, Covid-19 was confirmed, which spread all over the world. The Covid-19 outbreak has made a huge difference in people's lives and economic effects including a lacking source of entertainment like reading a comic book for the people who are locked down during the pandemic. This has led Comic publishers or artists to have a difficult time finding an audience during the pandemic physically. Hence, these Comic publishers and retailers have to adapt to a digital platform ‘mobile publishing’ for smartphone users through a mobile applications approach since smartphone usage worldwide has increased according to the studies. Therefore, this paper will discuss the best smartphone applications for Comic artists to publish their work as a step to find an audience during the pandemic.</p> <p><strong>Keywords:</strong> Covid-19, Smartphones, Mobile Applications, Comic, Comic artists, Publishing.</p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/473 Digital Micro Visualization Of Movements Through Motion Capture: A Case Study Of Joget Serampang Laut2023-11-01T08:29:05+00:00Mohd Firdaus Mohd Herrowfirdaushmh@uthm.edu.myNurzaidi Azraainurzaidi@usm.my<p>Motion capture technology also known as MoCap is one the important and leading technology in the process of capturing, recording and digitizing a significant movement. It gives a high accuracy of movement information, high degree freedom in movement and high flexibility in the captured physical movement. A wide range of research uses motion capture technology to gather data and to create a new finding in sport, medical and military purposes to improve human activities. Recently, in the area of performing arts, a number of research has used this technology, especially to capture the movement of traditional dance and traditional martial art as a platform of perseveration, documentation, archiving and interactive learning material purposes. This paper was executed using a mix of qualitative and quantitative methodology. Interviews and literature reviews were used to expose the rich diversity of three elements: Joget Serampang Laut, art biomechanics and motion capture technology. On the other hand, 21 joint of art biomechanics and 42 set of optical tracking passive markers were placed on the dancer to record the dance routine of Joget Serampang Laut in a motion capture laboratory that used eight (8) unit Osprey digital motion capture camera. Cortex Analysis software was used as a form of data analysis instrument. The findings of the research included motion capture technology as an effective tool for synthesizing time-based trajectory information into single frame, time-independent images that contained useful information about movements and gestures. Micro visual images can be essential as a metaphor for human experience since it provides objective representation that informs human perception and stimulates interpretations. At the end of the research, micro visual can be a communicative content related to bodyline that contains implicit meaning. The gestural representation may be understood in a experiential or cultural denotation and connotation that can holistically benefit and enhance the cultural values.</p> <p><strong>KEYWORDS:</strong> Motion Capture, Digital Micro Visualization, Joget Serampang Laut, Art Biomechanics</p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/475The Spirit and Elements of Malaysian Multiculturalism in Chuah Thean Teng’s Batik Paintings2023-11-01T08:33:37+00:00Geng Wenyan2021667748@student.uitm.edu.myWan Samiati Andriana Wan Mohamad Daudsamiati@uitm.edu.myAzian Tahirazian572@uitm.edu.my<p><span data-contrast="auto">This paper examines the batik paintings of Chinese artist Chuah Thean Teng in the context of Malaysia’s multicultural society. Batik, an ancient traditional craft in Malaysia, was initially produced on textiles through wax and dyes and is often applied to daily clothing and objects. As such, the motifs and elements of batik paintings are closely related to the local culture and have a high symbolic value. Chuah Thean Teng has improved and developed the batik process into a work of art with aesthetic value. This paper aims to understand the social and cultural climate of the time through a generalised analysis of the results of Chuah Thean Teng to evaluate the artistic elements embedded in the batik works. The paper adopts an art historical research approach, which consists mainly of form and context analysis. The study is descriptive, with data in the form of text and images, including the artworks themselves, publications, books, journals, and other official records. Chuah Thean Teng, a Chinese artist, has inherited and evolved the traditional Malaysian batik art by seeking artistic inspiration in a culturally diverse environment. His work is a hybrid expression, reflecting the exchange and borrowing between cultures. This is in keeping with the historical context of the time and also conveys modern Malaysian art’s inclusiveness, diversity, and richness. As an essential part of contemporary Malaysian art, batik painting is itself a sign of modernity. It is hoped that this study will help to enrich the research and analysis of Malaysian batik painting and, through it, generate interest in batik painting and provide knowledge and methods of interpreting the content of the artwork.</span><span data-ccp-props="{"335551550":6,"335551620":6,"335559731":567}"> </span></p> <p><strong><span data-contrast="auto">KEYWORDS: </span></strong><span data-contrast="auto">Multiculturalism, Chuah Thean Teng, Batik paintings, Malaysian Chinese Artists, Iconography.</span><span data-ccp-props="{"335551550":6,"335551620":6,"335559731":567}"> </span></p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/477 The Usage of Motion Graphics in Promotional Videos: A Case Study For Digital Technology Hub2023-11-01T08:42:43+00:00Shahmi Hambali Shahrulnizam2021856366@student.uitm.edu.mySharkawi Che Dinsharkawi237@uitm.edu.myNur Aniza Mohd Lazimaniza32@uitm.edu.myNabila Aimi Mohamed Ghazalinabilaaimi@uitm.edu.my<p>The effectiveness of promotional videos in visually conveying a brand's message to consumers has been widely recognized. A qualitative research method was employed to explore this phenomenon further, utilising content analysis of promotional videos from smartphone manufacturers. The specific focus of the study was to examine the usage of motion graphics in promotional videos for digital technology hubs. The research findings revealed that incorporating various motion graphics techniques, such as eases, anticipation, timing, spacing, and rhythm, was highly successful in spreading brand messages related to digital technology hubs. By leveraging these techniques, brands could effectively communicate their key messages and promote their digital technology offerings.</p> <p><strong>Keywords:</strong> Promotional Video, Motion Graphics and Digital Technology Hub</p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/478 Culture Malay Community Value Profane On Modern Malaysian Islamic Art Exhibition2023-11-01T08:43:34+00:00Wan Samiati Andriana Wan Mohamad Daudsamiati@uitm.edu.myMumtaz Mokhtarmumtaz059@uitm.edu.myNoriza Arzainnoriza896@uitm.edu.myYulriawan Dafri M. Humyulriawandafri@isi.ac.id<p><span data-contrast="auto">Art and culture are two entities that are closely related and are suspended from each other. The arts have become an identity and practice essential to Malaysia’s cultural society, which is a multiracial nation. With the diversity of the art practices of multi-ethnic societies in the country, the identity of multicultural Malaysia has become more highlighted and recognizable. The objective of this paper is to gather visual artwork on Culture values found in the Islamic exhibition from 1957 to 1999. The artworks have been put into consideration and recorded accordingly, such as the artwork’s title, dimension or size of the artwork, media, and techniques used in producing the artwork. The researcher followed the integrative approach and applied the technique of the descriptive quantitative approach. The information gathered through data collection inclusive of three major issues, the concept, the national policies, and the events or exhibitions gathered from various sources, including academic books, journals, proceedings as well as exhibition catalogues cum books of painting, retrospectives, biographies, competition booklets, and website. The important events on Islamic art were also gathered through the articles presented at seminars and symposiums as well as newspaper cuttings and magazines. It is hoped that through visual arts, generations of Malaysians will be literate in culture, have high aesthetic values, critical, creative, imaginative, innovative, and inventive, as well as explore thought explorations, and design in a wide range of visual arts to allow the development of ideas and self-expression. </span><span data-ccp-props="{"335551550":6,"335551620":6,"335559731":0}"> </span></p> <p><span data-ccp-props="{"335551550":6,"335551620":6,"335559731":567}"> </span></p> <p><strong><span data-contrast="auto">KEYWORDS: </span></strong><span data-contrast="auto">Culture, Malay, Community, Value, Islamic Art</span><span data-ccp-props="{"335551550":6,"335551620":6,"335559731":567}"> </span></p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/479 Figure Images In Artjamila’s Artworks - An Autism Spectrum Perspective2023-11-01T08:53:23+00:00Mumtaz Mokhtarmumtaz059@uitm.edu.myWan Samiati Andriana Wan Mohamad Daudsamiati@uitm.edu.myNoorhashimah Mohamed Noordinartjamila2002@gmail.com<p><span data-contrast="auto">Children with autism have problems expressing themselves. One of these problems is communication. This communication disorder involves not only speech but also facial expressions and body movements. Yet children with autism can express themselves through drawing. Artjamila, or the full name Wan Jamila Wan Shaiful Bahri, is a child with autism who has extraordinary abilities which she tends to draw. Most of her drawings are based on interests, experiences, careful observation, and things that touch his heart. One of her abilities can be seen through the development of figure image in her artworks. The method of this study is a qualitative method with a case study of selected paintings. This approach has the intent to better understand the human figure artworks from an autism spectrum perspective. The data is collected from studio visit, gallery visits and observation of artefacts. By observing Artjamila’s artwork of figure images there found 3 major phases in Jamila’s development of the figure which are early phase which starts at 5 years old, elongation ability and towards maturity. In general, society often associates autism with the individual's deprivation and vulnerability to the environment or association. However, they are found to have creativity and thoroughness in doing things. The image of figure that was revealed succeeded in becoming an expression of the feelings and thoughts of the autistic painter, thus alleviating the explosion of silenced feelings. </span><span data-ccp-props="{"335551550":6,"335551620":6,"335559731":0}"> </span></p> <p><strong><span data-contrast="auto">KEYWORDS: A</span></strong><span data-contrast="auto">utism, Communication Disorder, Artjamila, Extraordinary Abilities</span><span data-ccp-props="{"335551550":6,"335551620":6,"335559731":567}"> </span></p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##http://idealogyjournal.com/ojs/index.php/idealogy/article/view/480 Relational Aesthetics Through Islamic Calligraphy Workshop2023-11-01T08:56:35+00:00Mumtaz Mokhtarmumtaz059@uitm.edu.myWan Samiati Andriana Wan Mohamad Daudsamiati@uitm.edu.myNik Syahida Sabriniksyahida@uitm.edu.myNor Azlin Hamidonnorazlin@uitm.edu.my<p><span data-contrast="auto">Malay calligraphy is known as </span><em><span data-contrast="auto">Jawi </span></em><span data-contrast="auto">and is a form of writing that is less popular compared to other modern writings such as those already listed in the font selection on students' computers. Therefore, </span><em><span data-contrast="auto">Jawi</span></em><span data-contrast="auto"> workshop was held at the Fine Arts Studies, College of Creative Arts, MARA University of Technology for 77 students of the 3rd semester who enrolled Form and Soul course. The first objective is to introduce and further strengthen the writing skills of traditional Malay writing with the theme of 'knowledge'. Secondly, the whole activity of the workshop is to establish relational aesthetic form where the facilitator and students interact directly during the demonstration and practice throughout the workshop. The theoretical concept of knowledge involved the theme, selection of phrases related to knowledge, transformation of Roman writing into </span><em><span data-contrast="auto">Jawi</span></em><span data-contrast="auto"> spelling, and identifying calligraphy styles. The students also been introduced to several artists who applied </span><em><span data-contrast="auto">Jawi</span></em><span data-contrast="auto"> elements in contemporary artworks. Mumtaz Caligraphy set helps the creations of beautiful </span><em><span data-contrast="auto">Jawi</span></em><span data-contrast="auto"> calligraphy letters, the arrangement of the lines, the decoration and composition of the letters and also the layout through the assistance of Associated Prof. Dr Nor Azlin Hamidon and her teammates. Relational aesthetics artwork successfully unites traditional elements and contemporary forms into a meaningful artistic creation and beneficial art for society. </span><span data-ccp-props="{"335551550":6,"335551620":6,"335559731":0}"> </span></p> <p><strong><span data-contrast="auto">KEYWORDS: </span></strong><span data-contrast="auto">Relational Aesthetics, Fine Art, Calligraphy, Khat</span><span data-ccp-props="{"335551550":6,"335551620":6,"335559731":0}"> </span></p>2023-09-01T00:00:00+00:00##submission.copyrightStatement##