Pendekatan Teori Estetika dalam Karya Jalaini Abu Hassan
Aesthetic Theory Approach in the Works of Jalaini Abu Hassan
DOI:
https://doi.org/10.24191/idealogy.v11i1.880Keywords:
Kata Kunci: Peribahasa Melayu, seni visual Malaysia, Jalaini Abu Hassan, Gurindam Jiwa, teori Terry Barrett.Abstract
As a repository of traditional knowledge, Malay proverbs are seen as the wisdom of ancient societies. Malay proverbs serve as cultural symbols of philosophy, moral ideals, and outlooks on life for the Malay community. Although this research is currently limited to academic discourse, incorporating the use of Malay proverbs into visual art can create the potential to connect oral traditions with contemporary aesthetics. Gurindam Jiwa (Indian Summer), a mixed media canvas painting by Jalaini Abu Hassan from 2000, is a powerful illustration of how Malay proverbs can be transformed into visual art. Terry Barrett’s theoretical framework, which includes components of explanation, interpretation, and evaluation, will be used in this study to discover and investigate how Malay proverbs have been incorporated into visual art. Formal analysis of artworks is the primary focus of the qualitative method, supplemented by exhibition catalogues, critical writing, and contextual references. The results of the study show that Jalaini’s artworks combine symbolic floral patterns with deep cultural metaphors, all conveyed through the expressive use of color and texture to evoke personal and community memories. This painting is not only visually appealing, but also emphasizes the need to use proverbial imagery to preserve culture, strengthen Malay identity, and connect traditional values with modern Malaysian art discourse.
Keywords: Malay proverbs, Malaysian visual arts, Jalaini Abu Hassan, Gurindam Jiwa, Terry Barrett's theory
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