Staging the Halo Effect in Modest Fashion: A Visual Analysis of dUCk’s Instagram Pictures
DOI:
https://doi.org/10.24191/idealogy.v11i2.966Abstract
Visual presentation has become increasingly important for modest-fashion brands in Malaysia, particularly on Instagram, where carefully staged photographs establish a recognisable presence. Against this background, this article examines how dUCk constructs its brand identity through Instagram pictures and presents its products as more than functional fashion items. More specifically, it considers how the halo effect emerges when positive qualities associated with the overall visual presentation are extended to the products featured in the pictures. The study therefore investigates the visual elements that contribute to this effect and the role they play in communicating dUCk’s identity on social media. Using Ledin and Machin’s (2020) multimodal approach, the study analyses selected Instagram pictures published by dUCk between 2022 and 2024, with particular attention to the participants, objects and settings represented in them. The findings show that the halo effect stems from deliberate visual choices that evoke associations with sophistication, exclusivity, and modernity. These visuals not only draw in the audience but also strengthen dUCk’s image and identity as a premium Muslim women’s brand in Malaysia. The study highlights the halo effect as a powerful part of visual storytelling in social media branding and shows how much multimodal design can shape customer opinions.
Keywords: Halo Effect, Instagram, Modest Fashion, Social Media, Visual Analysis
References
Bardakcı, A., & Wood, B. P. (2021). Servicing modest fashion markets : The case of two Turkish clothing companies. Journal of Halal Service Research, 2(1), 38–51.
Caldeira, S. P., Van Bauwel, S., & Ridder, S. De. (2021). ‘Everybody needs to post a selfie every once in a while’: Exploring the politics of Instagram curation in young women’s self-representational practices. Information, Communication & Society, 24(8), 1073–1090. https://doi.org/10.1080/1369118X.2020.1776371
de Perthuis, K., & Findlay, R. (2019). How fashion travels: The fashionable ideal in the age of Instagram. Fashion Theory, 23(2), 219–242. https://doi.org/10.1080/1362704X.2019.1567062
Dinar Standard. (2020). State of the global Islamic economy report thriving in uncertainty. DinarStandard, 1–178. https://cdn.salaamgateway.com/special-coverage/sgie19-20/full-report.pdf
Djafarova, E., & Rushworth, C. (2017). Exploring the credibility of online celebrities’ Instagram profiles in influencing the purchase decisions of young female users. Computers in Human Behavior, 68, 1–7. https://doi.org/10.1016/j.chb.2016.11.009
Evans, N. J., Phua, J., Lim, J., & Jun, H. (2017). Disclosing Instagram influencer advertising: The effects of disclosure language on advertising recognition, attitudes and behavioral intent. Journal of Interactive Advertising, 17(2), 138–149. https://doi.org/10.1080/15252019.2017.1366885
Ghaffari, S. (2022). Discourses of celebrities on Instagram: Digital femininity, self-representation and hate speech. Critical Discourse Studies, 19(2), 161–178. https://doi.org/10.1080/17405904.2020.1839923
Harris, J. L., Haraghey, K. S., Lodolce, M., & Semenza, N. L. (2018). Teaching children about good health? Halo effects in child-directed advertisements for unhealthy food. Pediatric Obesity, 13(4), 256–264. https://doi.org/10.1111/ijpo.12257
Hasim, N., Nayan, S. M., & Ishak, M. S. (2015). Hijabistas : An analysis of the mediation of Malay-Muslims and modesty. Jurnal Pengajian Media Malaysia, 17(2), 10–25.
Hassan, S. H., & Ara, H. (2021). Thematic analysis of hijab fashion from Muslim clothing retailers perspective. Journal of Islamic Marketing, 13(11), 2462–2479. https://doi.org/10.1108/JIMA-03-2020-0066
Jacobson, J. (2020). You are a brand: Social media managers’ personal branding and “the future audience.” Journal of Product and Brand Management, 29(6), 715–727. https://doi.org/10.1108/JPBM-03-2019-2299
Jamrin, Z. (2019). Provocative promotion: Naelofar hijab violating cultural sensitivity? International Journal of Entrepreneurship and Management Practices, 2(6), 23–38. https://doi.org/10.35631/IJEMP.26003
Kamarulzaman, Z., & Shaari, N. (2020). A comparison framework on Islamic dress code and modest fashion in the Malaysian fashion industry. PalArch’s Journal of Archaeology of Egypt/Egyptology, 17(7), 7063–7072.
Khondkar, M. (2021). Hijab as a Muslim attire and a fashion trend in Bangladesh. European Journal of Business and Management, 13(3), 57–70. https://doi.org/10.7176/EJBM/13-3-08
Leaver, T., Highfield, T., & Abidin, C. (2020). Instagram: Visual social media cultures. John Wiley & Sons.
Ledin, P., & Machin, D. (2016). A discourse-design approach to multimodality: The visual communication of neoliberal management discourse. Social Semiotics, 26(1), 1–18. https://doi.org/10.1080/10350330.2015.1089652
Ledin, P., & Machin, D. (2018). Doing visual analysis: From theory to practice. In Doing Visual Analysis: From Theory to Practice. SAGE Publications Ltd. https://doi.org/10.4135/9781529793529
Ledin, P., & Machin, D. (2019). Doing critical discourse studies with multimodality: From metafunctions to materiality. Critical Discourse Studies, 16(5), 497–513. https://doi.org/10.1080/17405904.2018.1468789
Ledin, P., & Machin, D. (2020). Replacing actual political activism with ethical shopping: The case of Oatly. Discourse, Context and Media, 34, 100344. https://doi.org/10.1016/j.dcm.2019.100344
Lindquist, L. A., & Ramirez‐Zohfeld, V. (2019). Visual abstracts to disseminate geriatrics research through social media. Journal of the American Geriatrics Society, 67(6), 1128–1131. https://doi.org/10.1111/jgs.15853
Logi, L., & Zappavigna, M. (2021). A social semiotic perspective on emoji: How emoji and language interact to make meaning in digital messages. New Media and Society, October. https://doi.org/10.1177/14614448211032965
Machin, D., Caldas-Coulthard, C. R., & Milani, T. M. (2016). Doing critical multimodality in research on gender, language and discourse. Gender and Language, 10(3), 301–308. https://doi.org/10.1558/genl.v10i3.32037
Machin, D., & van Leeuwen, T. (2016). Multimodality, politics and ideology. Journal of Language and Politics, 15(3), 243–258. https://doi.org/10.1075/jlp.15.3.01mac
Md Saad, N. H., & Yaacob, Z. (2021). Building a personal brand as a CEO: A case study of Vivy Yusof, the cofounder of FashionValet and the dUCk Group. SAGE Open, 11(3), 1–12. https://doi.org/10.1177/21582440211030274
Mohamad, S. M. (2021). Micro-celebrity practices in Muslim-majority states in Southeast Asia. Popular Communication, 19(3), 235–249. https://doi.org/10.1080/15405702.2021.1913492
Mohamad, S. M., & Hassim, N. (2021). Hijabi celebrification and hijab consumption in Brunei and Malaysia. Celebrity Studies, 12(3), 498–522. https://doi.org/10.1080/19392397.2019.1677164
Natale, D. W. (2019). Recognition and perceptions of native advertising in media. May. https://www.mendeley.com/catalogue/712279ff-a07f-3422-a852-5bb3131e4907/?utm_source=desktop&utm_medium=1.19.4&utm_campaign=open_catalog&userDocumentId=%7B1958247d-c78c-471e-9a83-9c3d8fe511ec%7D
Piehler, R., Schade, M., Sinnig, J., & Burmann, C. (2021). Traditional or ‘instafamous’ celebrity? Role of origin of fame in social media influencer marketing. Journal of Strategic Marketing, 00(00), 1–13. https://doi.org/10.1080/0965254X.2021.1909107
Saxton, G. D., Niyirora, J. N., Guo, C., & Waters, R. D. (2015). #Advocatingforchange: The strategic use of hashtags in social media advocacy. Advances in Social Work, 16(1), 154–169. https://doi.org/10.18060/17952
Smiley, S. L., Kim, S., Mourali, A., Allem, J. P., Unger, J. B., & Cruz, T. B. (2020). Characterizing #backwoods on Instagram: “The number one selling all natural cigar.” International Journal of Environmental Research and Public Health, 17(12), 1–8. https://doi.org/10.3390/ijerph17124584
Veszelszki, A. (2016). #time, #truth, #tradition. An image-text relationship on Instagram: Photo and hashtag. In A. Benedek & Á. Veszelszki (Eds.), In the beginning was the image: The omnipresence of pictures (pp. 140–150). Peter Lang.
Waninger, K. (2015). The veiled identity: Hijabistas, Instagram and branding in the online Islamic fashion industry [Master’s thesis, Georgia State University]. https://doi.org/https://doi.org/10.57709/7347241
Zain, M. Z. M. (2020). The influence of Muslim fashion bloggers on young Muslim females’ fashion and life in Malaysia. [Doctoral dissertation, The University of Manchester].
Zappavigna, M. (2012). Discourse of Twitter and social media: How we use language to create affiliation on the web (6th ed.). Continuum International Publishing Group.
Zappavigna, M., & Ross, A. S. (2022). Instagram and intermodal configurations of value: Ideology, aesthetics and attitudinal stance in #avotoast posts. Internet Pragmatics, 5(2), 197–226. https://doi.org/10.1075/ip.00068.rap
Zappavigna, M., & Zhao, S. (2020). Selfies and recontextualisation: Still life self-imaging in social media. In M. Miles & E. Welch (Eds.), Photography and its Public (Issue July, pp. 207–227). Bloomsbury. https://doi.org/10.13140/RG.2.2.16425.95842
Zulkifli, C. N., & Rajandran, K. (2024). Islamic fashion in Malaysia: The commodification of religious values on Instagram. Asian Journal of Communication, 34(3), 298–318. https://doi.org/10.1080/01292986.2024.2314775
Downloads
Published
Issue
Section
License
Copyright (c) 2026 UiTM Press

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
UiTM Press (the Publisher) has agreed to publish the undersigned author’s paper in Idealogy Journal. The agreement is contingent upon the fulfilment of a number of requirements listed below.
1. The undersigned author warrants that the paper entitled below is original, that it is not in any way libellous or unlawful in Malaysia, that it does not infringe any copyright or other proprietary right. The undersigned hereby represents and warrants that he/she is the author of the paper, except for material that is clearly identified as to its original source, with permission notices from the copyright owners where required. The undersigned represents that he/she has the power and authority to sign and execute this agreement.
2. The undersigned author warrants that the paper entitled below has not been published elsewhere, and also it will not be submitted anywhere else for publication prior to acceptance/rejection by this Journal.
3. By submitting the paper entitled below, the undersigned author agrees to transfer the rights to publish and distribute the paper in an international e-journal (entitled above) to Publisher.
4. The undersigned author agrees to make a reasonable effort to conform to Publisher's submission guidelines and to liaise with the editor to ensure that the requirements of these guidelines are met to a reasonable degree.
5. The corresponding author signs for and accepts responsibility for releasing this material on behalf of any and all coauthors. This agreement is to be signed by at least one of the authors who has obtained the assent of the co-author(s) where applicable. After submission of this agreement signed by the corresponding author, changes of authorship or in the order of the authors listed will not be accepted.

