A Systematic Review on The Cultural Design Process for Cultural Creative Product in China
Abstract
Lack of cultural creative product's (CCP) appeal and innovation are causing low purchasing interest among locals especially in China. There is a need to enhance the product appeal to improve the product purchasing in China. The purpose of this study is to identify what are the best cultural design processes for CCP in China. This desktop study investigates on the current cultural design processes in China, the emotion of cultural design processes for CCP, and the best cultural-emotion design processes characteristics for CCP. This paper uses systematic review to identify topic's themes, knowledge gaps and approaches towards traditional cultural element, design process and cultural creative products. 30 journals articles were searched through Google scholar database between 1991 to 2022. This study found that when traditional connotation elements and creative design were injected into the CCP design processes, these elements could transform and develop CCP into cultural emotion and functional experiences, hence, enhance purchasing power for users. The findings of this study would aid local manufacturers rise in sales through instilling connotation features and creative design during cultural design processes in CCP.
Keywords: Cultural Design Process, Cultural Creative Product, Cultural Features, Functional Experiences.
References
An, Y. (2021). Research on Cultural and Creative Product Design under the Background of Chinese Traditional Culture Communication, 2021 4th International Conference on Arts, Linguistics, Literature and Humanities (ICALLH 2021),16, 219-224.
Chen, H. and Yang, Y. (2016) "Turning Cultural Heritage into Cultural and Creative Products: A Case Study of Value Creation Out of Cultural Artifacts Collaborated Between the National Palace Museum And The Bright Ideas Design, Co. Ltd.". Journal of Library and Information Studies [online] 14 (1), 115-149.
Heylighen, F. (1992). A cognitive‐systemic reconstruction of Maslow's theory of self‐actualization. Behavioral science, 37(1), 39-58. https://doi.org/10.1002/bs.3830370105
Hofstede, G. (1991). Empirical models of cultural differences.
Hsu, C. H., & Tsai, W. C. (2015). A design strategy of cultural and creative products on the global market. In Cross-Cultural Design Methods, Practice and Impact: 7th International Conference, CCD 2015, Held as Part of HCI International 2015, Los Angeles, CA, USA, August 2-7, 2015, Proceedings, Part I 7 (pp. 36-48). Springer International Publishing.
Hsu, C. H., Lin, C. L., & Lin, R. (2011). A study of framework and process development for cultural product design. In Internationalization, Design and Global Development: 4th International Conference, IDGD 2011, Held as part of HCI International 2011, Orlando, FL, USA, July 9-14, 2011. Proceedings 4 (pp. 55-64). Springer Berlin Heidelberg.
Hsu, C. L., Chen, Y. C., Yang, T. N., Lin, W. K., & Liu, Y. H. (2018). Does product design matter? Exploring its influences in consumers’ psychological responses and brand loyalty. Information Technology & People, 31(3), 886-907.
Khalid, H. M., & Helander, M. G. (2006). Customer emotional needs in product design. Concurrent Engineering, 14(3), 197-206.
Leposa, N. (2020). Problematic blue growth: A thematic synthesis of social sustainability problems related to growth in the marine and coastal tourism. Sustainability Science, 15, 1233-1244. https://doi.org/10.1007/s11625-020-00796-9
Li, W., & Li, Z. (2022). Research on Creativity Model of Creative Product Design Based on Twenty-four Solar Terms. In 2021 International Conference on Culture, Design and Social Development (CDSD 2021) (pp. 305-310). Atlantis Press.
Li, Z., Shu, S., Shao, J., Booth, E., & Morrison, A. M. (2021). Innovative or not? The effects of consumer perceived value on purchase intentions for the palace museum’s cultural and creative products. Sustainability, 13(4), 2412. https://doi.org/10.3390/su13042412
Lin, R. T. (2007). Transforming Taiwan aboriginal cultural features into modern product design: A case study of a cross-cultural product design model. International Journal of Design, 1(2).
Maccarrone-Eaglen, A. (2009). An analysis of culture as a tourism commodity. Tourism Culture & Communication, 9(3), 151-163.
Macleod, D. (2006). Cultural commodification and tourism: a very special relationship. Tourism Culture & Communication, 6(2), 71-84. https://doi.org/10.3727/109830406777410580
Miller, D. (2012). Consumption and its consequences. Polity.
Qing, W. U. (2015). Traditional Chinese culture in modern Product Design. Canadian Social Science, 11(10), 32-39.
Shan, S. L. (2014). Chinese cultural policy and the cultural industries. City, Culture and Society, 5(3), 115-121. https://doi.org/10.1016/j.ccs.2014.07.004
Shi, B., & Guangyun, Z. (2019). Analysis on Advantages and Influencing Factors of Design and Development of Museum Cultural & Creative Products. In IOP Conference Series: Materials Science and Engineering (Vol. 573, No. 1, p. 012067). IOP Publishing.
Song, Y., & Li, M. (2018, December). Research on cultural and creative product development based on museum resources. In IOP Conference Series: Materials Science and Engineering (Vol. 452, No. 2, p. 022090). IOP Publishing.
Tekin, H., & Tekdogan, O. F. (2015). Socio-cultural dimension of innovation. Procedia-Social and Behavioral Sciences, 195, 1417-1424. https://doi.org/10.1016/j.sbspro.2015.06.438
Tu, J. C., Liu, L. X., & Cui, Y. (2019). A study on consumers' preferences for the Palace Museum's cultural and creative products from the perspective of cultural sustainability. Sustainability, 11(13), 3502. https://doi.org/10.3390/su11133502
Vecco, M., Clarke, M., Vroonhof, P., De‑Weerd, E., Ivkovic, E., Minichova, S., & Naza‑rejova, M. (2022). The impact of the COVID-19 pandemic on creative industries, cultural institutions, education and research. Geneva: World Intellectual Property Organization.
Wang, Y. H., Qin, S. F., & Harrison, D. (2013, August). Culture-inspired design principles, methods and tools in current products. In International Conference: Consilience and Innovation in Design. Tokyo, Japan. http://design-cu.jp/iasdr2013/papers/1271-1b.pdf.
Waqas, M., Hamzah, Z. L. B., & Salleh, N. A. M. (2021). Customer experience: a systematic literature review and consumer culture theory-based conceptualisation. Management Review Quarterly, 71, 135-176.
WMD, W. S. A., Mokhtar, M., Arzain, N., & M Hum, Y. D. (2023). Culture Malay Community Value Profane on Modern Malaysian Islamic Art Exhibition. Idealogy Journal, 8(2), 203-208. https://doi.org/10.24191/idealogy.v8i2.478
Yang, L., Yu, W., Jiang, S., & Jia, S. (2019). The application of “emotion retrospection” in the design of museum cultural creative products. In Design, User Experience, and Usability. Design Philosophy and Theory: 8th International Conference, DUXU 2019, Held as Part of the 21st HCI International Conference, HCII 2019, Orlando, FL, USA, July 26–31, 2019, Proceedings, Part I 21 (pp. 547-556). Springer International Publishing.
Zhang, J. (2021). Exploring the Application of Traditional Elements in Cultural and Creative Product Design. Art and Design Review, 9, 332-340. https://doi.org/10.4236/adr.2021.94029
Zhang, L., Zhang, C., & Shi, M. (2020). Applying mobile technology for developing cultural and creative products in tourism: a case study on the forbidden city. In 2020 IEEE 20th International Conference on Software Quality, Reliability and Security Companion (QRS-C) (pp. 542-549). IEEE. https://doi.10.1109/QRS-C51114.2020.00095
Zhang, Y. (2022). The Application and Practice of Traditional Cultural Symbols in the Brand Design of “Nation Tide”. In 2021 Conference on Art and Design: Inheritance and Innovation (ADII 2021) (pp. 266-270). Atlantis Press.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
UiTM Press (the Publisher) has agreed to publish the undersigned author’s paper in Idealogy Journal. The agreement is contingent upon the fulfilment of a number of requirements listed below.
1. The undersigned author warrants that the paper entitled below is original, that it is not in any way libellous or unlawful in Malaysia, that it does not infringe any copyright or other proprietary right. The undersigned hereby represents and warrants that he/she is the author of the paper, except for material that is clearly identified as to its original source, with permission notices from the copyright owners where required. The undersigned represents that he/she has the power and authority to sign and execute this agreement.
2. The undersigned author warrants that the paper entitled below has not been published elsewhere, and also it will not be submitted anywhere else for publication prior to acceptance/rejection by this Journal.
3. By submitting the paper entitled below, the undersigned author agrees to transfer the rights to publish and distribute the paper in an international e-journal (entitled above) to Publisher.
4. The undersigned author agrees to make a reasonable effort to conform to Publisher's submission guidelines and to liaise with the editor to ensure that the requirements of these guidelines are met to a reasonable degree.
5. The corresponding author signs for and accepts responsibility for releasing this material on behalf of any and all coauthors. This agreement is to be signed by at least one of the authors who has obtained the assent of the co-author(s) where applicable. After submission of this agreement signed by the corresponding author, changes of authorship or in the order of the authors listed will not be accepted.