The Role of Art Elements in the Translation of Photographic Works
Abstract
The presence of photography around the 1890s when Malaya (now Malaysia) which was still under British rule was not an obstacle for the field of photography to grow to this day. Photography is a medium that can be used to produce creative works that have their own artistic elements (Sabki Md. Noh, M. Shariful Hafizal, 2017). The production of the work is produced according to technical procedures that require repeated experimentation to get the best results. Emphasizing the element or line element in the production of a work is none other than to show the relevance of the art element in photography, but also to focus on the use of pattern elements. In the form of social relationships, the artist tries to convey that when filming, visuals should always be taken with care so that every art element that is blended in the production of the work is not overwhelmed or runs away from the original concept. For the artist, this visual is a conversation about what is done as well as what can be conveyed, in addition to aiming to make the audience aware of the artist’s creative process while creating, which illustrates the meaning of the artist’s work which usually describes literary language in visual form. With the role of photography that also gives awareness of the importance of understanding the adaptation of visual art elements Keywords: Photography, artistic elements, art work, consciousness
Keywords: Photography, art element, art, realization
References
Candlish, D. (2015, April 14). David Candlish Photography. Retrieved from David Candlish Photography Web Site: http://davidcandlish.photography/news/2015/4/13/a- beginners-guide-to-the-world-of-photography-salons
Houben, I. (2007-2017). Wonderful Malaysia. Retrieved from Wonderful Malaysia Web Site: http://www.wonderfulmalaysia.com/royal-belum-state-park-malaysia.htm
Pensum. (2011, January 03). Artist Statements. Retrieved from Artist Statements: An Archive: https://artiststatements.wordpress.com/2011/01/03/frank-gohlke- thoughts-on-landscape/
Pensum. (2011, October 14). Artist Statements. Retrieved from Artist Statements: An Archive: https://artiststatements.wordpress.com/2011/10/14/georges-braque- thoughts-and-reflections-on-painting/
Sabki Md. Noh, M. S. (2017). Panduan Asas fotografi Digital. Kuala Lumpur: Dewan Bahasa dan Pustaka.
Webb, J. (2010). Basics Creative Photography 01: Design Principles. Lausanne: AVA Publishing. Wubin, Z. (2016). Photography in Southeast Asia. Singapore: NUS Press.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
UiTM Press (the Publisher) has agreed to publish the undersigned author’s paper in Idealogy Journal. The agreement is contingent upon the fulfilment of a number of requirements listed below.
1. The undersigned author warrants that the paper entitled below is original, that it is not in any way libellous or unlawful in Malaysia, that it does not infringe any copyright or other proprietary right. The undersigned hereby represents and warrants that he/she is the author of the paper, except for material that is clearly identified as to its original source, with permission notices from the copyright owners where required. The undersigned represents that he/she has the power and authority to sign and execute this agreement.
2. The undersigned author warrants that the paper entitled below has not been published elsewhere, and also it will not be submitted anywhere else for publication prior to acceptance/rejection by this Journal.
3. By submitting the paper entitled below, the undersigned author agrees to transfer the rights to publish and distribute the paper in an international e-journal (entitled above) to Publisher.
4. The undersigned author agrees to make a reasonable effort to conform to Publisher's submission guidelines and to liaise with the editor to ensure that the requirements of these guidelines are met to a reasonable degree.
5. The corresponding author signs for and accepts responsibility for releasing this material on behalf of any and all coauthors. This agreement is to be signed by at least one of the authors who has obtained the assent of the co-author(s) where applicable. After submission of this agreement signed by the corresponding author, changes of authorship or in the order of the authors listed will not be accepted.