Kronologi Representasi Wanita Dalam Catan di Malaysia: Dari 1930 Hingga 2020

Chronology of Representation of Women in Painting in Malaysia: From 1930 to 2020

  • Nurul Syifa@Siti Aishah Ahmarofi Fakulti Seni, Komputeran, dan Industri Kreatif, Universiti Pendidikan Sultan Idris, Perak, Malaysia.
  • Elis Syuhaila Mokhtar Fakulti Seni, Komputeran, dan Industri Kreatif, Universiti Pendidikan Sultan Idris, Perak, Malaysia.
  • Issarezal Ismail Kolej Pengajian Seni Kreatif, Universiti Teknologi MARA Cawangan Perak, Kampus Seri Iskandar, Perak, Malaysia.
  • Ida Puteri Mahsan Fakulti Seni, Komputeran, dan Industri Kreatif, Universiti Pendidikan Sultan Idris, Perak, Malaysia.

Abstract

Melalui figura wanita, pelbagai peranan, situasi, identiti budaya, aspek sosial dan ekonomi digambarkan selain mempersembahkan estetika yang dimiliki wanita. Keterlibatan wanita dalam pelbagai situasi dan karakter adalah penting bagi mengetahui ciri, tugas dan tanggungjawab mereka. Kajian ini memfokuskan kronologi secara umum penggunaan figura wanita dalam catan di Malaysia melalui kajian visual oleh pelukis terdahulu dan terkini. Melalui analisis ini, penggunaan figura wanita dalam catan tempatan dapat diketahui dan seterusnya menyumbang kepada proses pendokumentasian secara tersusun disamping mempelajari nilai budaya, jati diri dan khazanah negara.


Kata Kunci: Kronologi catan Malaysia, Representasi wanita, Catan, Seni


Abstract


Through the figure of women, various roles, situations, cultural identities, social and economic aspects are depicted in addition to presenting the aesthetics of women. The involvement of women in various situations and characters is important to know their characteristics, duties and responsibilities. This study focuses on the general chronology of the use of female figures in painting in Malaysia through a visual study by previous and recent painters. Through this analysis, the use of female figures in local paintings can be known and further contribute to the documentation process in an organized manner in addition to learning cultural values, identity and national treasures.


Keywords: Chronology of Malaysian painting, Representation of women, Painting, Art

References

Abd. Aziz, M. K., Bujang. R. (2016). Kritikan Seni: Suatu Tinjauan Terhadap Karya-Karya Mohamad Hoessein Enas Dan Syed Ahmad Jamal Sebagai Seni Warisan Bangsa Dan Budaya Melayu. Jurnal Perintis Pendidikan Seni Lukis dan Seni Reka INTI FSSR, 21 (1), 23–38.

Abdullah, S. (2020). The 1980s as (an Attempt in) the Decolonialization of Malaysian Art. Southeast of Now: Directions in Contemporary and Modern Art in Asia, 4(1), 3-29.

Achugwo, S., & Nigeria, A. (2019). A. An Analytical Narrative On Painters Evolutionary Approach to The Human Figure.

Azhan. N.A. & Ramli, H. (2014). Keindahan Hijab Sebagai Agama Dan Budaya. International Conference On Creative Media, Design & Technology (REKA2014)

Aziz, M. K. A. A. (2019). Malay Culture Identity A critique of Mohamad Hoessein Enas Art Work. International Journal of INTI, 23 (1). 37-43.

Baicy, C. R. T. (2017). Gazing Upon the Other: The Politics of Representing the Igorot in Philippine Modernism (Doctoral dissertation, University of Hawai ‘I At Mānoa).

Burton, A. (2020). The Correlation of Obesity and its Related Diseases in Comparison to Income in Counties in Tennessee. 4 Kevin Ung, Director of McNair Scholar’s Program, 14.

Collier, M. (2021). Photographic Exploration of Social and Cultural Experience. In Viewpoints (pp. 13-32). University of Texas Press.

DBP, “Dewan Bahasa dan Pustaka”, (2017). Representasi. In PRPM volume 2.0. Retrieved May 28, 2021 from https://prpm.dbp.gov.my/

Doyle, L., McCabe, C., Keogh, B., Brady, A., & McCann, M. (2020). An overview of the qualitative descriptive design within nursing research. Journal of research in nursing: JRN, 25(5), 443–455. https://doi.org/10.1177/1744987119880234

Dutta, K. (2021). The Mona Lisa-A Prototype for Multidisciplinary Science Education. Science & Education, 30(3), 693-716.

Flatley, J. (2020). Like Andy Warhol. University of Chicago Press.

George, A. (2020). National Myth: The Goddess Behind America’s Independence Day. In The Mythology of America's Seasonal Holidays (pp. 135-148). Palgrave Macmillan, Cham.

Ghezelayagh, J., Fooladian, A., & Khoshmardan, A. A. (2020). Pre-Islamic Painting in India: A Case Study of Painting Styles. International Journal of Applied Arts Studies (IJAPAS), 5(2), 41-60.

Godin, B. (2008). Innovation: The History of a Category.

HBART, “Henry Butcher Art Auction”, (2010, Aug 08), Art Auction Malaysia. [Katalog]. bart.com.my/files/Art%20Auction%20Malaysia%202010%20[e-catalogue]%20[encrypted].pdf

HBART, “Henry Butcher Art Auction”, (2012, May 06), Art Auction Malaysia. [Katalog]. Retrieved from http://hbart.com.my/files/Art%20Auction%20Malaysia%20May%202012%20-%20E-Catalogue%20(encrypted).pdf

HBART, “Henry Butcher Art Auction”, (2019, Nov 30), Malaysian Modern and Contemporary Art Collection. [Katalog]. Retrieved from http://hbart.com.my/files/MSEAANOV19-web.pdf

Humaini, S., Ahmad, S., & Ahmad, S. (2020). Elemen budaya dalam karya seni catan Malaysia: satu tinjauan. Idealoggy, 5(1), 157-164.

Jungmann, B. (2018). Changing Notions of “Feminine Spaces” in Chosŏn-Dynasty Korea: The Forged Image of Sin Saimdang (1504–1551). Archives of Asian Art, 68(1), 47-66.

Jusoh, A., Sauman, Y., & Ramli, Z. (2018). Lukisan Gua Di Semenanjung Malaysia: Motif Dan Simbolisme Serta Kaitannya Dengan Sosiobudaya Masyarakat Setempat (Cave Paintings in Peninsular Malaysia: Motives, Symbolism and Sociocultural Relations to Local Society). Asian Journal of Environment, History and Heritage, 1(2).

Khairuddin, N. H (2012). Menanggap Identiti Naratif Seni Rupa Malaysia. RogueArt. Kuala Lumpur.
Khanahmadi, M., & Kahn, S. M. (2016). Aesthetic Criticism of “Longing for Love” by Syed Thajudeen.

Kim, H., Sefcik, J. S., & Bradway, C. (2017). Characteristics of qualitative descriptive studies: A systematic review. Research in nursing & health, 40(1), 23-42.

Lee, E. (2021). Fadilah Karim's Endless Decade. Retrieved from Cendana: https://www.cendana.com.my/library/our-library/lensa-seni/fadilah-karims-endless-decade

Liebregts, T. (2021). De receptiegeschiedenis van'de Geboorte van Venus' van Botticelli.

Lin, R. (21 Mac, 2019). French-trained pioneer artist Chia Yu Chian’s painterly legacy as seen through old days Kuala Lumpur. Retrieved from thestar.com.my: https://www.thestar.com.my/lifestyle/culture/2019/03/21/kuala-lumpur-and-its-people-are-subjects-that-dominate-exhibit-on-chia-yu-chians-painterly-legacy

Lippit, M. E. M. (2020). Aesthetic Life: Beauty and Art in Modern Japan. Brill
Min, L. E. I. (2021). Beyond Visual Metaphor: A Cognitive Interaction between Metaphor and Metonymy in Filming Visual Rhetorical Image of the Statue of Liberty. Canadian Social Science, 17(3), 25-36.

Pearce, C. C. (2021). Overcoming East and West: Artistic Identity in the Making of Modern Japanese Figure Painting.

Qasim, E. (2013). Female Figurines: The Milk Squirting-Venus Galaktorainoussa

Rahim, R. A., Mokhtar, M., Vermol, V. V., & Legino, R. (2021). Iconography Underpinning Malaysian Portrait Painting. Environment-Behaviour Proceedings Journal, 6(SI5), 119-124.

Ritchie, J., Lewis, J., Nicholls, C. M., & Ormston, R. (Eds.). (2013). Qualitative research practice: A guide for social science students and researchers. sage.

Santosa, M. H. (2019). Ideology of Feminism in The Works of Balinese Contemporary Women Visual Artists. Editorial Board, 8(1), 29.

Synn, C. F. (2020). Hyperrealism in Korea in the Late 1970s. Acta Koreana, 23(2), 105-131.

Ting, K. (2019). The Singapore Story through 60 objects. A Special Issue to Commemorate Singapore Bicentennial 2019, 60.

Van Loon, A., Gambardella, A. A., Gonzalez, V., Cotte, M., De Nolf, W., Keune, K., ... & Vandivere, A. (2020). Out of the blue: Vermeer’s use of ultramarine in Girl with a Pearl Earring. Heritage Science, 8(1), 1-18.

Zilberstein, G., Zilberstein, R., Zilberstein, S., & Righetti, P. G. (2021). Radial distribution of figures in Leonardo’s and Renaissance paintings. Digital Applications in Archaeology and Cultural Heritage, 20, e00178.

Zeng, Q. (2021). Becoming a Nanyang-Style Artist in Postwar Singapore and Malaya: Georgette Chen’s Drawing and Her Construction of Asian Themes. In Contesting Chineseness (pp. 201-219). Springer, Singapore.
Published
2022-09-01
How to Cite
AHMAROFI, Nurul Syifa@Siti Aishah et al. Kronologi Representasi Wanita Dalam Catan di Malaysia: Dari 1930 Hingga 2020. Idealogy Journal, [S.l.], v. 7, n. 2, p. 98-105, sep. 2022. ISSN 2550-214X. Available at: <https://idealogyjournal.com/ojs/index.php/idealogy/article/view/354>. Date accessed: 22 dec. 2024. doi: https://doi.org/10.24191/idealogy.v7i2.354.