Interpretasi Simbolik Naratif Pengalaman Peribadi dalam Seni Visual: Kajian Karya Issarezal Ismail dalam Siri Pameran “Thank You for the Lessons You Have Taught Me”

Symbolic Interpretation of Personal Experience Narratives in Visual Art: A Study of Issarezal Ismail’s Artworks in the Solo Exhibition “Thank You for the Lessons You Have Taught Me”

Authors

  • Siti Humaini Said Ahmad @ Syed Ahmad Universiti Teknologi MARA
  • Ruzamira Abdul Razak Fakulti Seni Lukis & Seni Reka, Universiti Teknologi MARA Cawangan Perak, Kampus Seri Iskandar, 32610 Seri Iskandar, Perak, Malaysia
  • Muhamad Rozali Othman Fakulti Seni Lukis & Seni Reka, Universiti Teknologi MARA Cawangan Perak, Kampus Seri Iskandar, 32610 Seri Iskandar, Perak, Malaysia

DOI:

https://doi.org/10.24191/idealogy.v10i2.848

Abstract

ABSTRAK

Karya seni sering diinspirasikan daripada pengalaman peribadi yang memberikan makna mendalam terhadap ekspresi visual pelukis. Pengalaman yang merangkumi aspek emosi, peristiwa kehidupan, dan pemerhatian terhadap persekitaran sering kali diterjemahkan oleh pelukis ke dalam bentuk karya seni yang berperanan sebagai medium penyampaian pelbagai naratif serta membuka ruang kepada pelbagai bentuk tafsiran. Kajian ini bertujuan untuk menganalisis dan menerangkan tanda serta simbol yang terdapat dalam enam karya dari pameran solo bertajuk Thank You for The Lessons You Have Taught Me, yang dihasilkan oleh Issarezal Ismail pada tahun 2023. Pendekatan kajian ini bersifat kualitatif, dengan fokus kepada penjelasan deskriptif dan holistik. Data dikumpulkan melalui temu bual, pemerhatian, dan analisis dokumen untuk mengkaji karya seni. Satu kerangka konseptual telah dibangunkan berdasarkan konsep-konsep yang relevan untuk menganalisis simbol pengalaman peribadi dalam karya-karya Issarezal Ismail. Hasil analisis menunjukkan bahawa karya-karya Issarezal Ismail mengandungi simbol-simbol yang mengangkat pengalaman hidup sebagai medan refleksi diri, yang digarap secara mendalam dan disampaikan melalui visual yang sarat dengan simbolisme. Kajian ini juga mendapati bahawa proses kreatif memerlukan ketahanan mental dan emosi serta mencerminkan interaksi kompleks antara individu dan bidang seni. 

 Kata Kunci: Interpretasi, simbolik, karya seni, pengalaman, Issarezal Ismail 

ABSTRACT  

Artworks are often inspired by personal experiences that give profound meaning to an artist’s visual expression. These experiences, which include emotional aspects, life events, and observations of the environment, are frequently translated by the artist into artworks that serve as a medium for conveying various narratives and allowing space for multiple interpretations. This study aims to analyze and interpret the signs and symbols found in six artworks from the solo exhibition titled Thank You for the Lessons You Have Taught Me, produced by Issarezal Ismail in 2023. The study adopts a qualitative approach, focusing on descriptive and holistic explanations. Data were collected through interviews, observations, and document analysis to examine the artworks. A conceptual framework was developed based on relevant concepts to analyze the symbolism of personal experiences in Issarezal Ismail's artwork. The results of the analysis show that Issarezal Ismail's artworks contain symbols that frame life experiences as a medium for self-reflection, thoughtfully developed and conveyed through visuals rich in symbolism. This study also found that the creative process requires mental and emotional resilience and reflects the complex interaction between the individual and the field of art. 

 Keywords: Interpretation, symbolic, artwork, experience, Issarezal Ismail 

References

Asmaz, A.C., & Önal, N.O. (2024). Exploring Ruth Ju-Shih Li’s Metaphorical Flowers: A journey into the ephemeral. Craft Research.

Amron Omar (2024) temurah bersama pelukis Amron Omar oleh Lembaga Muzium Negeri Kedah

Barrett, T. (2002). Interpreting art: Reflecting, wondering, and responding. McGraw-Hill Higher Education.

Chandler, D. (2007). Semiotics: The basics (2nd ed.). Routledge.

Dewan Bahasa dan Pustaka. (2025). Definisi Pengalaman. Kamus Dewan Edisi Keempat. Pusat Rujukan Persuratan Melayu Retrieved from https://prpm.dbp.gov.my/Cari1?keyword=pengalaman&d=175768 Accessed 20 April 2025.

Desa, N. E., Syed Abu Bakar, S. A., & Muhamad, N. A. (2020). The basis of art appreciation. Idealogy Journal, 5(2), 97–106. https://doi.org/10.24191/idealogy.v5i2.231

Dillistone, F. W. (1986). The power of symbols. London: SCM Press.

Denny, E., & Weckesser, A. (2022). How to do qualitative research? Bjog, 129, 1166 - 1167. https://doi.org/10.1111/1471-0528.17150.

Goodman, N. (1976). Languages of art: An approach to a theory of symbols (2nd ed.). Hackett Publishing.

Hafiz, M. (2019). Seni dalam kehidupan, kehidupan dalam seni. Idealogy Journal, 4(1), 59–63. https://doi.org/10.24191/idealogy.v4i1.149

Issarezal Ismail, (7 Mac, 2025). Karya Pameran Thank You for The Lessons You Have Taught Me. (S. Said Ahmad @ Syed Ahmad, Interviewer)

Jalaluddin, S., & Akasah, S. (2015). An exploration of autobiographical narrative through figurative ceramic sculpture installation series / Syed Zamzur Akasah Syed Ahmed Jalaluddin.

Juhi Kumari (2019) Decoding the hidden meanings of body languages Retrieved from https://www.thehealthsite.com/body-mind-soul/decoding-the-hidden-meanings-of-body-languages-688773/?utm_source=chatgpt.com Accessed 4 Mei 2025

Joshi, S.C. (2019) An Approach towards Visual Arts Today. Omniscience: A Multi-disciplinary Journal. 2017; 7(1): 11–13p.

Khan, F. (2018). Art: A Source of Visual Communication. International Journal of Multidisciplinary and Current Research. https://doi.org/10.14741/ijmcr/v.6.6.11.

Little, S. (2012). Frida Kahlo’s Autobiography: A Life in Painting.

Mahamood, M. (2002) Alun-alun ke Marista Awang Damit Ahmad 1996-2002.Kuala Lumpur: Balai Seni Lukis Negara.

Mohd Faizal, S., (2018) ‘Avengers: Infinity War’ – Segala tentangnya adalah mega Retrieved from https://www.mstar.com.my/spotlight/wayang/2018/04/27/avengers Accessed 30 April 2025

Nadya Wang, (2022). ‘Folds and Creases’ at Gajah Gallery. https://artandmarket.net/dialogues/2022/9/2/conversation-with-fadilah-karim. Accessed pada 10 April 2025

Palmer, S., (2025) Who is Bob Ross? Retrieved from https://biographyhost.com/p/bob-ross- biography.html/Accessed 30 April 2025

Pooja Gupta. (2019). “Reflection of Society in The Reference of Paintings.” International Journal of Research-Granthaalayah,7(11SE),114-145. https://doi.org/10.29121/granthaalayah.v7.i11.2019.3723.

Said Ahmad, S. H., Ismail, I., Othman, M. R., Abdul Rahim, M. D., & Saad, M. N. (2023). Interpretasi simbolik karya seni visual bertajuk Walk in Silence, Don’t Walk Away in Silence oleh Saiful Razman dalam konteks fenomena COVID-19. Jurnal Idealogy, 8(1), 46–60. https://idealogyjournal.com/ojs/index.php/idealogy/article/view/396

Sheng-gui, S. (2008). The Life Experience of the Artist and the Artistic Manifestation. Journal of Inner Mongolia University.

Tolstoy, L. (1897). What is art? (A. Maude, Trans.). London: Thomas Y. Crowell & Co.

Downloads

Published

2025-09-01

Most read articles by the same author(s)