A Review Of Alternative Ways Malaysian Artists Approach Self-portraits Painting
Abstract
Painting for presentation Self-portraits have been revolutionised on several occasions. To achieve different effects in their portrait painting, the artist experimented and manipulated various media. Portraits are commonly defined in art as a likeness of a person, particularly a face till shoulders, but there are other ways to define a portrait and a painting. There is a lack of comprehension and interpretation of the topic. As a result, the purpose of this research is to trace the history of the self-portrait. From the 1940s to the 2000s, reviews were written in the form of a year-by-year chronology, identifying the approach used by local painters. Conclusion: The shift in the art movement from naturalistic approaches to a variety of styles resulted in new interpretations and opportunities for artists to create exciting portrait paintings. The development of a new understanding of the term "portrait painting" resulted in new interpretations and suggestions for a new way of presenting self-portraits, contributing to an alternative and creative way of practising portrait painting for Muslim artists.
Keywords: Alternative, Self- Portraits painting, Approach, Malaysian Artist
References
Ahmarofi, N.S.@S.A., Mokhtar, E.S., Ismail, I., & Mahsan, I.P. (2022). Chronology of women representation in Malaysian painting: from 1930 to 2020. Ideology Journal 7(2). p. 98-105.
Brilliant, R. (2013). Portraiture. Reaction Books.
Dooyle, L .McCabe, C, Keogh, B, Brady A & McCann, M. (2020) An overview of the qualitative descriptive design within nursing research. Journal of Research in Nursing JRN 25(5), 443-455. http://doi.org/10.1177/1744987119880234
Gersh-Nesic, B. (2019, March 25). A portrait doesn't have to include a person. ThoughtCo. Retrieved August 22, 2018, from https://www.thoughtco.com/definition-portrait-and-portraiture-183227
Ibrahim, K. (1995). Self-portrait. KL Lifestyle: Lot 23 [image]. Retrieved 27 January 2023 from https://www.kl-lifestyle.com.my/private-sales%20showcase/nggallery/page/2
Kim, H., Sefcik. J.S. & Bradway, C. (2017). Characteristics of qualitative descriptive studies: A systematic review. Research in nursing & health 40(1). pp. 23-42.
Mahmood, M. (2007). Modern Malaysian Art from the Pioneering Era to the Pluralis Era (1930-1990). Kuala Lumpur: Utusan Publication & Distributors Sdn Bhd.
Melchoir-Bonnet, S. (2001). The Mirror: A History. New York, NY: Routledge
Merriam-Webster. (n.d.). Alternative. In Merriam-Webster.com dictionary. Retrieved February 2, 2023, from https://www.merriam-webster.com/dictionary/alternative
Mokhtar, M. (2018). Art and craft in the era of creative industry in Malaysia. Jurnal Seni Rupa & Desain 21(2). pp. 134-143.
Online Authors (2006). Pop a cork for Jeri. Lifestyle: The Star Online. Retrieved 28 January 2023 from https://www.thestar.com.my/lifestyle/women/2006/08/13/pop-a-cork-for-jeri
Pensyarah FSSR UiTM Melaka (2008). Belek Belek, Melaka. NN Gallery UiTM Melaka.
Petronas Gallery (1999). Aku: 99 Potret Diri. Kuala Lumpur: Twin Towers.
Piyadasa, R. (2002). Masterpieces from the National Art Gallery of Malaysia. Balai Seni Lukis Negara.
Radjikin, B.U. (2007). Diri [image of painting]. Retrieved 27 January 2023 from http://bayuutomo.blogspot.com/2013/06/blog-post.html
Ramli, I., Masrek, M.N. & Abdul Aziz, A.T. (2017). Visual art from the perspectives of Islamic shariah: A need assessment analyses. INTCESS 2017 – 4th International Conference on Education and Social Sciences. Turkey.
Rebel, E. (2008). Self-portraits. Taschen.
Sabapathy, T.K., & Shariff, Z. (1994). Wawasan Dan idea: Melihat semula Seni Lukis Moden Malaysia. Balai Seni Lukis Negara Malaysia.
Sabapathy, T.K., & Piyadasa, R. (1983). Modern artists of Malaysia. Dewan Bahasa dan Pustaka, Ministry of Education Malaysia.
Saidon, H.J. (2011, April 2). Veil of an artist. [web log]. Retrieved from http://hasnulsaidon. blogspot.com/2011/04/veil-of-artist.html
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
UiTM Press (the Publisher) has agreed to publish the undersigned author’s paper in Idealogy Journal. The agreement is contingent upon the fulfilment of a number of requirements listed below.
1. The undersigned author warrants that the paper entitled below is original, that it is not in any way libellous or unlawful in Malaysia, that it does not infringe any copyright or other proprietary right. The undersigned hereby represents and warrants that he/she is the author of the paper, except for material that is clearly identified as to its original source, with permission notices from the copyright owners where required. The undersigned represents that he/she has the power and authority to sign and execute this agreement.
2. The undersigned author warrants that the paper entitled below has not been published elsewhere, and also it will not be submitted anywhere else for publication prior to acceptance/rejection by this Journal.
3. By submitting the paper entitled below, the undersigned author agrees to transfer the rights to publish and distribute the paper in an international e-journal (entitled above) to Publisher.
4. The undersigned author agrees to make a reasonable effort to conform to Publisher's submission guidelines and to liaise with the editor to ensure that the requirements of these guidelines are met to a reasonable degree.
5. The corresponding author signs for and accepts responsibility for releasing this material on behalf of any and all coauthors. This agreement is to be signed by at least one of the authors who has obtained the assent of the co-author(s) where applicable. After submission of this agreement signed by the corresponding author, changes of authorship or in the order of the authors listed will not be accepted.
