Perception on Si + Sa as a Theme in a Work of Art Entitled “Free Memories”

  • Noor Enfendi Desa Universiti Teknologi MARA, Perak Branch, Seri Iskandar Campus, 32610 Seri Iskandar
  • Noor A'yunni Muhamad Universiti Teknologi MARA, Perak Branch, Seri Iskandar Campus, 32610 Seri Iskandar
  • Syed Alwi Syed Abu Bakar Universiti Teknologi MARA, Perak Branch, Seri Iskandar Campus, 32610 Seri Iskandar
  • Azian Tahir Universiti Teknologi MARA, Perak Branch, Seri Iskandar Campus, 32610 Seri Iskandar

Abstract

The effects from thinking will result in the production of perception. This perception exists in both positive and negative situations. It focuses on the cognitive that explains how human brain responds to the perceptions received from their respective methods of understanding. The exhibition of “Kami 8: SI + SA" has managed to exhibit creative artwork produced by academic staffs from the Faculty of Art and Design UiTM Perak, with the appreciation of the theme "SI + SA" will change the way of delivery or meaning, according to the circumstances and methods of individual personal perception. The research design is based on J.J. Winklemann in producing art works. Data collection consisting of sampling and equipment based on ideal imagery observation methods. Also, samples and equipment were analyzed based on the production of the proposed artwork based on the studio-based research. The artwork "free memories" is produced based on perception and understanding by the author translating in visual form.

Keywords
Perception, Theme, Artwork

References

Abowd, D., Dey, A.K., Orr, R. et al. Context-Awareness in Wearable and Ubiquitous Computing. Virtual Reality 3, 200–211 (1998). https://doi.org/10.1007/BF01408562

Carla B. (2009) C Arts – Asian Contemporary Art and Culture, Vol.9: Indonesian women Artist Coming into Their Own. Singapura: United Publishing Pte. Ltd. p.38-42.

Gray, C. Malins. (2004). Visualizing research.' A guide to the research process in art and design. Aldershot: Burlington.

Moholo-Nagy, L. (1926). Ismus Oder Kunst (Isms or Art). Translated by Sibyl Moholy-Nagy, in Moholy-Nagy, ed. Richard Kostelanetz, New York: Praeger, 1970.

Muliyadi Mahamood. (2004). Segerak Yusof Ghani. Kuala Lumpur: Utusan Publications & Distributors Sdn Bhd.

Noresah Baharom (2007). Kamus Dewan (Edisi Keempat). Kuala Lumpur: Dewan Bahasa Dan Pustaka.

Noor Azizan R.P. (2020). Katalog Pameran KAMI 8: “SI+SA”: Ulasan Kurator. Perak: FSSR UiTM Cawangan Perak.

Robert J. Belton. (1996). Art History: A Preliminary Handbook. Canada: Faculty of Creative and Critical Studies.

Robert N. (2009). The Jelousy of Ideas: Research Merthod in Creative Art. Australia: Ellikon.

Stout, G., and Baldwin, J. M. (1901). Dictionary of Philosophy and Psychology. New York: The MacMillan Company.
Published
2021-09-01
How to Cite
DESA, Noor Enfendi et al. Perception on Si + Sa as a Theme in a Work of Art Entitled “Free Memories”. Idealogy Journal, [S.l.], v. 6, n. 2, p. 91 - 97, sep. 2021. ISSN 2550-214X. Available at: <https://idealogyjournal.com/ojs/index.php/idealogy/article/view/302>. Date accessed: 23 nov. 2024. doi: https://doi.org/10.24191/idealogy.v6i2.302.

Most read articles by the same author(s)