Culture Malay Community Value Profane On Modern Malaysian Islamic Art Exhibition

  • Wan Samiati Andriana Wan Mohamad Daud College of Creative Arts, Universiti Teknologi MARA, 40450 Shah Alam, Selangor, MALAYSIA
  • Mumtaz Mokhtar College of Creative Arts, Universiti Teknologi MARA, 40450 Shah Alam, MALAYSIA
  • Noriza Arzain College of Creative Arts, Universiti Teknologi MARA, 40450 Shah Alam, MALAYSIA
  • Yulriawan Dafri M. Hum Faculty of Visual Arts, Indonesia Institute of the Arts, Yogyakarta, INDONESIA

Abstract

Art and culture are two entities that are closely related and are suspended from each other. The arts have become an identity and practice essential to Malaysia’s cultural society, which is a multiracial nation. With the diversity of the art practices of multi-ethnic societies in the country, the identity of multicultural Malaysia has become more highlighted and recognizable. The objective of this paper is to gather visual artwork on Culture values found in the Islamic exhibition from 1957 to 1999. The artworks have been put into consideration and recorded accordingly, such as the artwork’s title, dimension or size of the artwork, media, and techniques used in producing the artwork. The researcher followed the integrative approach and applied the technique of the descriptive quantitative approach. The information gathered through data collection inclusive of three major issues, the concept, the national policies, and the events or exhibitions gathered from various sources, including academic books, journals, proceedings as well as exhibition catalogues cum books of painting, retrospectives, biographies, competition booklets, and website. The important events on Islamic art were also gathered through the articles presented at seminars and symposiums as well as newspaper cuttings and magazines. It is hoped that through visual arts, generations of Malaysians will be literate in culture, have high aesthetic values, critical, creative, imaginative, innovative, and inventive, as well as explore thought explorations, and design in a wide range of visual arts to allow the development of ideas and self-expression.  


 


KEYWORDS: Culture, Malay, Community, Value, Islamic Art 

References

Abd Jalil bin Borham. (2014). Legasi Islam Di Pahang Wadah Transformasi Jati Diri Umat Gemilang. Kertas kerja ini dibentangkan dalam Syarahan Umum Profesor Universiti Malaysia Pahang di Dewan Astaka, Universiti Malaysia Pahang pada 12 Mac 2014. Retrieved September 24, 2014, from http://umpir.ump.edu.my/5312/1/SYARAHAN_PROF_JALIL.pdf.

Al Attas, Syed Muhammad Naquib. (1978). Islam and Secularism. Kuala Lumpur International Institut of Islamic Thought and Civilization. P.120-121. can read the book from http://docslide.us/documents/islam-and-secularism-by-syed-muhammad-naquib-al-attas.html

Mohd Taib Osman. (1988). Kebudayaan Melayu dalam beberapa persoalan. Kuala Lumpur: Dewan bahasa dan Pustaka.

Nasional Art Gallery. (1984). Pameran Seni Lukis & Seni Khat. Kuala Lumpur: Balai Seni Lukis Negara.

Nasional Art Gallery. (1993). Exhibition Catalogue Menifestasi Jiwa Islam dalam Senirupa Malaysia Sezaman. Kuala Lumpur: Balai Seni Lukis Negara.

Nasional Art Gallery. (1995). Exhibition Catalogue Art and Spirituality. Kuala Lumpur: Balai Seni Lukis Negara.

National Art Gallery. (1995). Exhibition Catalogue Kesenian Islam, Suatu Perspektif Malaysia. Kuala Lumpur: Balai Seni Lukis Negara.

National Art Gallery. (1992). Exhibition Catalogue. Identiti Islam Dalam Seni Rupa Malaysia, Pencapaian dan Cabaran. Kuala Lumpur: Balai Seni Lukis Negara.

Rahimah Abd. Aziz and Mohamad Yusoff Ismail. (2000). Masyarakat, Budaya, dan Perubahan. Bangi: Penerbit Universiti Kebangsaan Malaysia.

Tefko Saracevic and Paul. B. Kantor. (1997). Studying the Value of Library and Information Services. Part I. Establishing a Theoretical Framework. Journal of the American Society for Information Science.

Tylor, Edward. 1920 [1871]. Primitive Culture. New York: J. P. Putnam’s Sons.

Wan Abdul Kadir. (2000). Tradisi Dan Perubahan Norma Dan Nilai Di Kalangan Orang-orang Melayu. Kuala Lumpur: Masfami Enterprise.

Wan Samiati Andriana (2017). An Axiological Study on Islamic Visual Art in Malaysia From 1957 To 1999, PhD Thesis. Univeristi Teknologi MARA.
Published
2023-09-01
How to Cite
WAN MOHAMAD DAUD, Wan Samiati Andriana et al. Culture Malay Community Value Profane On Modern Malaysian Islamic Art Exhibition. Idealogy Journal, [S.l.], v. 8, n. 2, sep. 2023. ISSN 2550-214X. Available at: <https://idealogyjournal.com/ojs/index.php/idealogy/article/view/478>. Date accessed: 22 july 2024. doi: https://doi.org/10.24191/idealogy.v8i2.478.

Most read articles by the same author(s)