Hyper-Local Branding of Perak Cuisine: A Conceptual Framework through Stuart Hall’s Encoding/Decoding Model
DOI:
https://doi.org/10.24191/idealogy.v10i2.879Abstract
This conceptual paper examines the potential of hyper-local branding to preserve and promote Perak's culinary heritage through the lens of Stuart Hall’s Encoding/Decoding Model. Hyper-local branding foreground’s regional identity, cultural narratives, and authenticity in local cuisine, yet the growing influence of globalization, homogenization of taste, and the commodification of food culture pose significant threats to sustaining culinary distinctiveness. The problem addressed in this study is the lack of a systematic framework that connects semiotics, cultural identity, and branding in the Malaysian food context, particularly for under-represented cuisines such as those from Perak. While previous research has examined food tourism, authenticity, and cultural preservation, there remains a research gap in integrating communication theory—specifically Hall’s model—into the study of hyper-local branding practices. This paper contributes novelty by proposing a conceptual framework that reconceptualizes cuisine as a cultural text encoded by producers and decoded by diverse audiences. Methodologically, the paper adopts a conceptual and theoretical framework development approach, synthesizing insights from semiotics, gastronomy, and communication theory. By explicitly addressing the research gap in applying Hall’s Encoding/Decoding Model to hyper-local branding, the study develops propositions that can guide future empirical testing. The framework links literature on food heritage, flexible visual identity, and semiotics with audience reception studies, positioning it as a bridge between cultural theory and branding practice. By addressing the decoding of local cuisine branding, this paper advances the discussion beyond static notions of authenticity toward a more dynamic, dialogical understanding of branding as cultural negotiation. Implications extend to gastronomic tourism, heritage preservation, and branding practices, offering both theoretical and practical pathways for sustaining Perak’s culinary identity in the face of global cultural convergence.
Keywords: hyper-local branding, Perak cuisine, encoding/decoding model, semiotics, food heritage, Malaysia
References
Abidin, M. R. Z., Ishak, F. a. C., Ismail, I. A., & Juhari, N. H. (2020). Modern Malaysian Cuisine: Identity, culture, or modern-day fad? International Journal of Gastronomy and Food Science, 21, 100220. https://doi.org/10.1016/j.ijgfs.2020.100220
Askegaard, S. & Linnet, J. T. (2011). “Towards an Epistemology of Consumer Culture Theory: Phenomenology and the Context of Context.” Marketing Theory, 11(4), 381–404
Barthes, R. (1961). Toward a psychosociology of contemporary food consumption. Annales. Économies, Sociétés, Civilisations, 16(5), 166–173
Bell, D., and Valentine, G. (1997). Consuming geographies: We are where we eat. Routledge.
Beverland, M. B. (2005). “Crafting Brand Authenticity: The Case of Luxury Wines.” Journal of Management Studies, 42(5), 1003–1029
Cohen, E., and Avieli, N. (2021). Food in tourism: Attraction and impediment. Annals of Tourism Research, 31(4) 755-778. https://doi.org/10.1016/j.annals.2004.02.003
Counihan, C., and Van Esterik, P. (Eds.). (2013). Food and culture: A reader (3rd ed.). Routledge.
Douglas B. Holt’s “How Brands Become Icons: The Principles of Cultural Branding” (Harvard Business Press, 2004)
Everett, S., and Aitchison, C. (2010). The role of food tourism in sustaining regional identity: A case study of Cornwall, South West England. Journal of Sustainable Tourism, 16(2), 150–167. https://doi.org/10.2167/jost696.0
Grewal, D., Roggeveen, A. L., & Nordfält, J. (2017). “The Future of Retailing.” Journal of Retailing, 93(1), 1–6
Hall, S. (1980). Encoding/decoding. In S. Hall, D. Hobson, A. Lowe, and P. Willis (Eds.), Culture, media, language (pp. 128–138). Routledge.
Kavaratzis, M., and Hatch, M. J. (2013). The dynamics of place brands: An identity-based approach. Marketing Theory, 13(1), 69–86. https://doi.org/10.1177/14hatch70593112467268
Mei, B., and Padil, M. N. (2024). From one to diversity: Explore the design principles of flexible branding visual identity and its application on design practice. Idealogy Journal, 9(2), 52–63. https://doi.org/10.24191/idealogy.v9i2.539
Mick, D. G. (1986). Consumer Research and Semiotics: Exploring the Morphology of Signs, Symbols, and Significance Journal of Consumer Research, 13(2), 196–213. https://doi.org/10.1086/209060
Muhamad, N. A., Tahir, A., Ramli, I., & Abu Bakar, S. A. S. (2023). The development of the Malaysian cultural elements framework. Idealogy Journal, 8(1), 176–202. https://doi.org/10.24191/idealogy.v8i1.421
Napoli, J., Dickinson, S. J., Beverland, M. B., & Farrelly, F. (2014). “Measuring Consumer-Based Brand Authenticity.” Journal of Business Research, 67(6), 1090–1098.
O’Reilly, D. (2005). Cultural Brands/Branding Cultures. Journal of Marketing Management, 21(5–6), 573–588. https://doi.org/10.1362/0267257054307336
Raji, M. N. A., Karim, S. A., Ishak, F. a. C., & Arshad, M. M. (2020). Exploring local food characteristics in developing food tourism destination at Lenggong Valley, Perak. International Journal of Academic Research in Business and Social Sciences, 10(6). https://doi.org/10.6007/ijarbss/v10-i6/7462
Richards, G. (2020). Designing creative places: The role of creative tourism. Annals of Tourism Research, 85, 102922. https://doi.org/10.1016/j.annals.2020.102922
Robertson, R. (1995). “Glocalization: Time–Space and Homogeneity–Heterogeneity.” in Global Modernities (Sage).
Roland Barthes’ “Mythologies” (1972 English edition)
Salim, N. a. M., Ismail, A. K., Samat, S. A., & Nazrin, N. (2023b). Bujang Valley Tourism Co-Creation in Place Branding: The role of local community. Idealogy Journal. https://doi.org/10.24191/idealogy.v8i2.508
Varman, R. & Belk, R. W. (2009). “Nationalism and Ideology in an Anticonsumption Movement.” Journal of Consumer Research, 36(4), 686–700.
Wahab, N. A., Din, S. C., & Sujak, F. A. (2024). Unveiling design gaps: An examination of Eid envelope design elements in Malaysian banks. Idealogy Journal, 9(2), 147–155. https://doi.org/10.24191/idealogy.v9i2.567
Yusoff, A. Y. M., Abu Bakar, S. A. S., Tahir, A., & Omar, A. (2025). Tradition meets innovation: Malay symbols (tanggam) in contemporary sculpture—An analysis of Hilal Mazlan’s kinetic sculpture (Labyrinth). Idealogy Journal, 10(1), 49–60. https://doi.org/10.24191/idealogy.v10i1.705
Zukin, S. & Maguire, J. S. (2004). “Consumers and Consumption.” Annual Review of Sociology, 30, 173–197
Downloads
Published
Issue
Section
License
Copyright (c) 2025 UiTM Press

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
UiTM Press (the Publisher) has agreed to publish the undersigned author’s paper in Idealogy Journal. The agreement is contingent upon the fulfilment of a number of requirements listed below.
1. The undersigned author warrants that the paper entitled below is original, that it is not in any way libellous or unlawful in Malaysia, that it does not infringe any copyright or other proprietary right. The undersigned hereby represents and warrants that he/she is the author of the paper, except for material that is clearly identified as to its original source, with permission notices from the copyright owners where required. The undersigned represents that he/she has the power and authority to sign and execute this agreement.
2. The undersigned author warrants that the paper entitled below has not been published elsewhere, and also it will not be submitted anywhere else for publication prior to acceptance/rejection by this Journal.
3. By submitting the paper entitled below, the undersigned author agrees to transfer the rights to publish and distribute the paper in an international e-journal (entitled above) to Publisher.
4. The undersigned author agrees to make a reasonable effort to conform to Publisher's submission guidelines and to liaise with the editor to ensure that the requirements of these guidelines are met to a reasonable degree.
5. The corresponding author signs for and accepts responsibility for releasing this material on behalf of any and all coauthors. This agreement is to be signed by at least one of the authors who has obtained the assent of the co-author(s) where applicable. After submission of this agreement signed by the corresponding author, changes of authorship or in the order of the authors listed will not be accepted.